Art Brussels 2016, Apr 22- 24

, 18 April 2016
news

From Discovery to Rediscovery is the titular theme of this year’s Art Brussels fair, which is on at the large former industrial building, Tours & Taxis, running April 22 – 24

This year the organisers have decreased the size of the fair by about 50 galleries, promising quality over quantity, and have opened up a strand titled ‘Rediscovery‘ —dedicated to art from the 20th century by artists who are either under-represented or have been forgotten about. In with the rediscovery will be the following, whose booths aqnb recommends to go and see if you are in the capital:

Piotr Łakomy, Leo Fitzmaurice and Tyra Tingleff @ Sunday Painter

Anahita Razmi @ State of Concept

Helen Johnson, Parker Ito and Cayetano FerrerChâteau Shatto

Grear Patterson @ Ellis King

Christine Sun Kim @ Carroll/ Fletcher

Yung Jake @ Steve Turner

Navid Nuur + Anne De Vries @ Martin van Zomeren

Josh Reams + Kate Steciw @ Evelyn Yard

Jonathan Monaghan, Quayola and Addie Wagenknecht at bitforms

At the same time, there is Independent —the smaller art fair that was founded in New York in 2010 is coming to Europe (and Brussels) for the first time —running April 20 to 23.

At Independent Brussels will be Lloyd Corporation at Carlos Ishikawa, Philipp Timischl and Stano Filko at Galerie Emanuel Layr, and Rachel de Joode at Christophe Gaillard. There’ll also be ÅYR, DIS, Ned Vena and Sean Steadman at Project Native Informant, and Caroline Achaintre, John Finneran and John Wallbank at Arcade, along with booths from Ellis King, Brand New Gallery, Château Shatto, Room East and Temnikova & Kasela.

There is also Deborah Bowmann at Poppositions, as well as YIA art fair starting on April 21. The latter being held in the LOUISE 186 building and in there we recommend Julien Langendorff‘s ‘Gutter Magic’.

Also happening in Brussels (no fair) and opening on April 19 running June 4 at Galerie Jeanroch Dard is a solo show by London-based artist Dominic Samsworth called Lounge Elopes and Oscar Tuazon’s General Contractor at  dépendance.

See the Art Brussels exhibition page for more details.**

Christine Sun Kim, too possessive for score (2015). Courtesy the artist
Christine Sun Kim, ‘too possessive for score’ (2015). Courtesy the artist.