“The new cannot be born”. On the failure to resolve the parallel realities, crises, affinities & alliances of the 58th Venice Biennale TC, 5 June 2019 features
Landscape reduces to grid: The tragedy of dividuality in the procedurally-generated dungeons of sidony o’neal’s AND NOW, SQUARE TREES manuel arturo abreu, 8 May 2019 features
Art Los Angeles Contemporary’s 10th edition is testament to endurance on the edges of the Californian city as it was & will be Steph Kretowicz, 6 March 2019 features
Freedom & control: Issues of power, privacy & accountability in our digital lives at the heart of the EU in Strasbourg Caroline Heron, 20 February 2019 features
“It just takes a second, it’s done.” Nazar’s Enclave conjures the reality of war in its cut & thrust update on Angolan & Portugese kuduro Steph Kretowicz, 11 December 2018 features
Bonaventure’s Mentor EP strips away the noise & volatility of her earlier audio collages to reveal the mute tension that lies beneath Steph Kretowicz, 19 November 2018 features
Die Another Day: Breaking up the system & shaking down the cycle at the London leg of transnational DIY Festival Hyperlocal Steph Kretowicz, 23 October 2018 features
A bus load of artists and curators drive off into the sunset: a look back at Novo Mesto’s Fotopub Festival Kay Carroll, 12 September 2018 features
Strategies for Survival: Wong Bing Hao examines the unconditional life & perishable presence of Sandra Mujinga’s Hoarse Globules Wong Bing Hao, 22 August 2018 features
Rejecting transcendent planes in a mysticism of the modern marketplace via Timur Si-Qin’s Campaign for a New Protocol Pt. III Arshy Azizi, 21 May 2018 features
8ULENTINA’s sounds of substance combine a background in visual art + a penchant for unsettling staples in their first Club Chai release Olly Han, 18 April 2018 features
No notes without ears: Dissonant horizons in gleeful revolt for Lucy Railton’s infinite + spectral Paradise 94 album Alexander Iadarola, 11 April 2018 features
Making appear: On creating a common space of resistance for creative communities at the fifth Material Art Fair in Mexico City Mark Pieterson, 22 February 2018 features
For better or worse: The circa of radical female fictions, today and forever in Maren Karlson’s Soft Fists at Pushkin & Gogol Penny Rafferty, 15 January 2018 features
“Art can’t stop the machine.” On political posturing + preempting failure as a poor defence in the Mechanisms group show Alec Recinos, 8 January 2018 features
In the (absent) presence of the past: On C. Spencer Yeh’s acoustic performance on a lifeless synth for The RCA Mark II Alexander Iadarola, 13 December 2017 features
“Please like me!”: Art as Labor in the optimized + ever-present renderings of ourselves for Marlie Mul’s Booby at Croy Nielsen Karim Crippa, 4 December 2017 features
Keeping it together: Tracing truths + falsehoods in the narrative thrust of the Fictions group show at Studio Museum Selby Nimrod, 7 November 2017 features
Sleepwalking through a discordant + peculiar sense of calm in Klein’s recent EP release Tommy Jean Kay, 2 October 2017 features
Readings + runways: On the alchemy, astrology + abject humor at New York’s Bridget Donahue during Fashion Week Mark Pieterson, 25 September 2017 features
