When did you get here? Reuniting the past & the present in Hrefna Hörn Leifsdóttir’s A carefully chosen set of advises Gab Hadden, Tuesday reviews
Auto Italia’s evasive Unorganised Response group exhibition remains unruly by gazing at our institutions from the peripheries Jade Barget, 13 August 2019 reviews
Seeing into the future through the deepwater horizons of Linda Stupart & Carl Gent’s All Of Us Girls Have Been Dead For So Long Isabel Waidner, 2 August 2019 reviews
Moved by the Motion: Art, life & devotion in the dissident performative blurring of Wu Tsang’s An Atmosphere of Messages Kashif Sharma-Patel, 9 July 2019 reviews
“The new cannot be born”. On the failure to resolve the parallel realities, crises, affinities & alliances of the 58th Venice Biennale TC, 5 June 2019 reviews
Landscape reduces to grid: The tragedy of dividuality in the procedurally-generated dungeons of sidony o’neal’s AND NOW, SQUARE TREES manuel arturo abreu, 8 May 2019 reviews
Art Los Angeles Contemporary’s 10th edition is testament to endurance on the edges of the Californian city as it was & will be Steph Kretowicz, 6 March 2019 reviews
Freedom & control: Issues of power, privacy & accountability in our digital lives at the heart of the EU in Strasbourg Caroline Heron, 20 February 2019 reviews
“It just takes a second, it’s done.” Nazar’s Enclave conjures the reality of war in its cut & thrust update on Angolan & Portugese kuduro Steph Kretowicz, 11 December 2018 reviews
Bonaventure’s Mentor EP strips away the noise & volatility of her earlier audio collages to reveal the mute tension that lies beneath Steph Kretowicz, 19 November 2018 reviews
Die Another Day: Breaking up the system & shaking down the cycle at the London leg of transnational DIY Festival Hyperlocal Steph Kretowicz, 23 October 2018 reviews
A bus load of artists and curators drive off into the sunset: a look back at Novo Mesto’s Fotopub Festival Kay Carroll, 12 September 2018 reviews
Strategies for Survival: Wong Bing Hao examines the unconditional life & perishable presence of Sandra Mujinga’s Hoarse Globules Wong Bing Hao, 22 August 2018 reviews
Rejecting transcendent planes in a mysticism of the modern marketplace via Timur Si-Qin’s Campaign for a New Protocol Pt. III Arshy Azizi, 21 May 2018 reviews
8ULENTINA’s sounds of substance combine a background in visual art + a penchant for unsettling staples in their first Club Chai release Olly Han, 18 April 2018 reviews
No notes without ears: Dissonant horizons in gleeful revolt for Lucy Railton’s infinite + spectral Paradise 94 album Alexander Iadarola, 11 April 2018 reviews
Making appear: On creating a common space of resistance for creative communities at the fifth Material Art Fair in Mexico City Mark Pieterson, 22 February 2018 reviews
For better or worse: The circa of radical female fictions, today and forever in Maren Karlson’s Soft Fists at Pushkin & Gogol Penny Rafferty, 15 January 2018 reviews
“Art can’t stop the machine.” On political posturing + preempting failure as a poor defence in the Mechanisms group show Alec Recinos, 8 January 2018 reviews
In the (absent) presence of the past: On C. Spencer Yeh’s acoustic performance on a lifeless synth for The RCA Mark II Alexander Iadarola, 13 December 2017 reviews
