Intimacy through the uncanny: reflecting on Rewire 2022 & its return to closeness at a time of fractured connections Jared Davis, 26 April 2022 reviews
New beginnings among the uncertainty & a recentering of balance in the green surrounds of PAF Spring Olomouc festival Jared Davis, 7 April 2022 reviews
Asbestos & sex: Pornoflation fantasies, angelic flesh & brushing the clitoris with the absolute in Tim Hardy’s Helium in Melbourne Claudia Tilley, 21 January 2022 reviews
Ceremony & the dread of death’s finality in Chuquimamani-Condori & Joshua Chuquimia Crampton’s Amaru’s Tongue: Daughter Tess Charnley, 9 November 2021 reviews
The new authentic: reconnecting with the club & moments of shared attentiveness in a joyous & bacchanalian return to Unsound Jared Davis, 28 October 2021 reviews
Participatory rituals & resurrections in the tricky aftermath of pandemic for Sparkly Berman’s Miracle Zone show at Los Angeles’ Le Maximum Darius Sabbaghzadeh, 24 June 2021 reviews
Tailoring Disidentification: CFGNY dismantles Western notions of ‘Asian-ness’ with their Collecting Dissonance exhibition at London’s Auto Italia Elliot Gibbons, 21 June 2021 reviews
In support of ornament: New York’s Super Dutchess exalts in the impish tease of our infinite smallness with its God Is in the Details group show Charlie Janelle Freiberg, 13 April 2021 reviews
The body as temple both sacred & profane in Valentina Vaccarella’s Show World Order & its poetic exploration of the abject Sven Loven, 27 January 2021 reviews
Living with the echoes of trauma: Océane Bruel & Dylan Ray Arnold’s exhibition turns the mood of 2020 into a landscape Kaino Wennerstrand, 7 December 2020 reviews
Ordering the generic: On the changing functions of unprofessional image-making in Amateur Photography. From Bauhaus to Instagram Judith Sieber, 6 May 2020 reviews
Beatrice Marchi roleplays the tropes of prom queens & pop stars in a view of femininity from the perspective of a fish out of water in Happy Yellowing Dennis Brzek, 28 April 2020 reviews
Art without artists: Emma Pryde & Willard Klein reimagine our relationship with the past in their joint Dream of the Palace show Brandon Sward, 10 March 2020 reviews
The poetic lyricism of Imran Perretta’s the destructors presents as a pessimistic statement of intent within the nostalgic familiar Kashif Sharma-Patel, 5 March 2020 reviews
A plurality of perspectives between sound, plants & architecture from Maria Thereza Alves, Lucrecia Dalt & Cevdet Erek at CTM Anabelle Lacroix, 17 February 2020 reviews
Alicia Mersy’s Your Ability to Touch is Limitless finds comfort in the interdependent reality of our URL & IRL community diana, 7 February 2020 reviews
Gerda Paliušytė’s haunting ‘Nevermore’ documentary emphasises interdependence & connection as its own form of resistance Yates Norton, 5 February 2020 reviews
Emily Barker antagonizes the apparent neutrality of the able-bodied archetype by addressing accessibility in Built to Scale Sophia Aira, 29 January 2020 reviews
“Too bad it’s sinking”. (Self-) surveillance, climate dread & other existential terror at Miami’s Borscht Resurrected Steph Kretowicz, 13 December 2019 reviews
