“Too bad it’s sinking”. (Self-) surveillance, climate dread & other existential terror at Miami’s Borscht Resurrected Steph Kretowicz, 13 December 2019 reviews
Memento mori: On the horror of inevitability & portents of endings as Tallin’s EKKM is forced to a halt during its last exhibition Steph Kretowicz, 29 November 2019 reviews
Here for the flow: Anna Zett’s Artificial Gut Feeling essays offer ringside seats to the fervently thinking body Kim Modig, 14 November 2019 reviews
Thoughts against ambience: sonic tension & void in Pan Daijing’s durational opera Tissues for the Tate Modern Jared Davis, 12 November 2019 reviews
Get Low (Real Deep): The underground networks of Vancouver’s New Forms Festival explored at their historical roots Isabelle Harada and Matt Dell, 21 October 2019 reviews
When did you get here? Reuniting the past & the present in Hrefna Hörn Leifsdóttir’s A carefully chosen set of advises Gab Hadden, 20 August 2019 reviews
Auto Italia’s evasive Unorganised Response group exhibition remains unruly by gazing at our institutions from the peripheries Jade Barget, 13 August 2019 reviews
Seeing into the future through the deepwater horizons of Linda Stupart & Carl Gent’s All Of Us Girls Have Been Dead For So Long Isabel Waidner, 2 August 2019 reviews
Moved by the Motion: Art, life & devotion in the dissident performative blurring of Wu Tsang’s An Atmosphere of Messages Kashif Sharma-Patel, 9 July 2019 reviews
“The new cannot be born”. On the failure to resolve the parallel realities, crises, affinities & alliances of the 58th Venice Biennale TC, 5 June 2019 reviews
Landscape reduces to grid: The tragedy of dividuality in the procedurally-generated dungeons of sidony o’neal’s AND NOW, SQUARE TREES manuel arturo abreu, 8 May 2019 reviews
Art Los Angeles Contemporary’s 10th edition is testament to endurance on the edges of the Californian city as it was & will be Steph Kretowicz, 6 March 2019 reviews
Freedom & control: Issues of power, privacy & accountability in our digital lives at the heart of the EU in Strasbourg Caroline Heron, 20 February 2019 reviews
“It just takes a second, it’s done.” Nazar’s Enclave conjures the reality of war in its cut & thrust update on Angolan & Portugese kuduro Steph Kretowicz, 11 December 2018 reviews
Bonaventure’s Mentor EP strips away the noise & volatility of her earlier audio collages to reveal the mute tension that lies beneath Steph Kretowicz, 19 November 2018 reviews
Die Another Day: Breaking up the system & shaking down the cycle at the London leg of transnational DIY Festival Hyperlocal Steph Kretowicz, 23 October 2018 reviews
A bus load of artists and curators drive off into the sunset: a look back at Novo Mesto’s Fotopub Festival Kay Carroll, 12 September 2018 reviews
Strategies for Survival: Wong Bing Hao examines the unconditional life & perishable presence of Sandra Mujinga’s Hoarse Globules Wong Bing Hao, 22 August 2018 reviews
Rejecting transcendent planes in a mysticism of the modern marketplace via Timur Si-Qin’s Campaign for a New Protocol Pt. III Arshy Azizi, 21 May 2018 reviews
8ULENTINA’s sounds of substance combine a background in visual art + a penchant for unsettling staples in their first Club Chai release Olly Han, 18 April 2018 reviews
