Rejecting transcendent planes in a mysticism of the modern marketplace via Timur Si-Qin’s Campaign for a New Protocol Pt. III Arshy Azizi, 21 May 2018 reviews
8ULENTINA’s sounds of substance combine a background in visual art + a penchant for unsettling staples in their first Club Chai release Olly Han, 18 April 2018 reviews
No notes without ears: Dissonant horizons in gleeful revolt for Lucy Railton’s infinite + spectral Paradise 94 album Alexander Iadarola, 11 April 2018 reviews
Making appear: On creating a common space of resistance for creative communities at the fifth Material Art Fair in Mexico City Mark Pieterson, 22 February 2018 reviews
For better or worse: The circa of radical female fictions, today and forever in Maren Karlson’s Soft Fists at Pushkin & Gogol Penny Rafferty, 15 January 2018 reviews
“Art can’t stop the machine.” On political posturing + preempting failure as a poor defence in the Mechanisms group show Alec Recinos, 8 January 2018 reviews
In the (absent) presence of the past: On C. Spencer Yeh’s acoustic performance on a lifeless synth for The RCA Mark II Alexander Iadarola, 13 December 2017 reviews
“Please like me!”: Art as Labor in the optimized + ever-present renderings of ourselves for Marlie Mul’s Booby at Croy Nielsen Karim Crippa, 4 December 2017 reviews
Keeping it together: Tracing truths + falsehoods in the narrative thrust of the Fictions group show at Studio Museum Selby Nimrod, 7 November 2017 reviews
Sleepwalking through a discordant + peculiar sense of calm in Klein’s recent EP release Tommy Jean Kay, 2 October 2017 reviews
Readings + runways: On the alchemy, astrology + abject humor at New York’s Bridget Donahue during Fashion Week Mark Pieterson, 25 September 2017 reviews
Alien figures + the narrative of conspiracy in Steven Warwick’s ‘Area 501’ + his Fear Indexing The X-Files collaboration with Nora Khan Jean Kay, 23 August 2017 reviews
Auguring the near future at two-and-a-half minutes to midnight in Puppies Puppies’ mundane mass destruction at Berlin’s Oracle Thomas Butler, 2 August 2017 reviews
Château Shatto looks toward the future by squinting at the present in the group show speculations of At This Stage Jean Kay, 11 July 2017 reviews
Hedonism, freedom, sex + experimental living in HOME Publishing’s Dark Habits Philomena Epps, 3 July 2017 reviews
Fighting for the future with the digital healing + survivalism of NTU collective’s Ubulawu at London’s Auto Italia Tamar Clarke-Brown, 20 June 2017 reviews
Look who’s talking: Privilege + representation in the tales of other people in Candice Breitz’s Love Story Angels Miralda, 12 June 2017 reviews
Opaque, polysemous, folding into itself: ‘Realness’ as an ideological construct in Kara-Lis Coverdale’s Grafts Alexander Iadarola, 9 June 2017 reviews
Visceral but lifeless: violence + the value of the image in Venice Biennale winner Anne Imhof’s Faust Hadden Manhattan, 30 May 2017 reviews
