“It just takes a second, it’s done.” Nazar’s Enclave conjures the reality of war in its cut & thrust update on Angolan & Portugese kuduro Steph Kretowicz, 11 December 2018 reviews
Bonaventure’s Mentor EP strips away the noise & volatility of her earlier audio collages to reveal the mute tension that lies beneath Steph Kretowicz, 19 November 2018 reviews
Die Another Day: Breaking up the system & shaking down the cycle at the London leg of transnational DIY Festival Hyperlocal Steph Kretowicz, 23 October 2018 reviews
A bus load of artists and curators drive off into the sunset: a look back at Novo Mesto’s Fotopub Festival Kay Carroll, 12 September 2018 reviews
Strategies for Survival: Wong Bing Hao examines the unconditional life & perishable presence of Sandra Mujinga’s Hoarse Globules Wong Bing Hao, 22 August 2018 reviews
Rejecting transcendent planes in a mysticism of the modern marketplace via Timur Si-Qin’s Campaign for a New Protocol Pt. III Arshy Azizi, 21 May 2018 reviews
8ULENTINA’s sounds of substance combine a background in visual art + a penchant for unsettling staples in their first Club Chai release Olly Han, 18 April 2018 reviews
No notes without ears: Dissonant horizons in gleeful revolt for Lucy Railton’s infinite + spectral Paradise 94 album Alexander Iadarola, 11 April 2018 reviews
Making appear: On creating a common space of resistance for creative communities at the fifth Material Art Fair in Mexico City Mark Pieterson, 22 February 2018 reviews
For better or worse: The circa of radical female fictions, today and forever in Maren Karlson’s Soft Fists at Pushkin & Gogol Penny Rafferty, 15 January 2018 reviews
“Art can’t stop the machine.” On political posturing + preempting failure as a poor defence in the Mechanisms group show Alec Recinos, 8 January 2018 reviews
In the (absent) presence of the past: On C. Spencer Yeh’s acoustic performance on a lifeless synth for The RCA Mark II Alexander Iadarola, 13 December 2017 reviews
“Please like me!”: Art as Labor in the optimized + ever-present renderings of ourselves for Marlie Mul’s Booby at Croy Nielsen Karim Crippa, 4 December 2017 reviews
Keeping it together: Tracing truths + falsehoods in the narrative thrust of the Fictions group show at Studio Museum Selby Nimrod, 7 November 2017 reviews
Sleepwalking through a discordant + peculiar sense of calm in Klein’s recent EP release Tommy Jean Kay, 2 October 2017 reviews
Readings + runways: On the alchemy, astrology + abject humor at New York’s Bridget Donahue during Fashion Week Mark Pieterson, 25 September 2017 reviews
Alien figures + the narrative of conspiracy in Steven Warwick’s ‘Area 501’ + his Fear Indexing The X-Files collaboration with Nora Khan Jean Kay, 23 August 2017 reviews
Auguring the near future at two-and-a-half minutes to midnight in Puppies Puppies’ mundane mass destruction at Berlin’s Oracle Thomas Butler, 2 August 2017 reviews
Château Shatto looks toward the future by squinting at the present in the group show speculations of At This Stage Jean Kay, 11 July 2017 reviews
Hedonism, freedom, sex + experimental living in HOME Publishing’s Dark Habits Philomena Epps, 3 July 2017 reviews
