As the art world winds down for the summer break, many galleries across cities are closed, at least in the Northern hemisphere where it’s hot. With more free time to look at art, there appears less art to look at. But for those still in the mood to engage with work IRL, we’ve put together a short list of spaces and exhibitions still running through August, before things get busy again in September.
Here we’ve condensed them down to four shows per AQNB’s four major cities of interest. In doing so, we’ve noted key focal points of each, including mental health, climate change, and resistance in London, the breakdown of diplomatic relations and bureaucracy in Berlin, social justice and entrenched attitudes and histories in New York, and mostly apocalypse in Los Angeles.
Read on for things to do:
The London-based artist’s solo exhibition “tells the story of a displaced body’s journey and return to a homeland,” and is part PS/Y’s Hysteria progamme, a multidisciplinary arts festival exploring mental health. You can read a small focus piece with the artist about the show here.
The London-based artist explores “how we determine what should be saved, stored, preserved and protected.” Presenting non-functioning fashion in utilitarian garments, the show carries on the artist’s research into “the relationship between preservation, morality and trend.”
The exhibition runs in in parallel with Tee’s Let It Come Down show running at Camden Arts Centre to September 17, and brings together her own works, as well as ethnographic objects and artefacts. This one explores two concepts: ‘Let it come down’ and ‘Resist.’
Ed’s note: show has been extended to September 9
The Amsterdam-based Kuwaiti artist’s solo exhibition builds on her interest in imagining the artefacts of a post-oil boom planet as alien technology, and the ritual of diplomacy with Gulf art collective GCC. Comprising sculptures, videos and sound works, Al Qadiri here envisages “international diplomacy as an alien conspiracy.”
In lieu of text, the exhibition press comes accompanied by a six-plus minute trailer of European scenes soundtracked by garage rock revival band The Strokes’ 2001 single ‘Hard To Explain’ (followed by a lengthy and blurred porn clip). It draws on similar themes to the London-based artist’s critical Brexit-themed video diary ‘Imperial Weather.’
The Iraqi-born, Berlin-based artist examines how to hold on to the traditions of his upbringing, while accessing the knowledge necessary for integrating into a new environment. A political exile, Hiwa K’s disconnection from his former ‘home’ is central to the exhibition.
The art space inside the Sommerbad Humboldthain provides room for artists, performers, musicians, authors, and curators to mingle with swimmers at the public pool. Contributors include Broken Dimanche Press, Creamcake, Marvin Gaye Chetwynd, Søren Aagard and more.
The Canadian conceptual artist invites employees of Berlin’s ‘Senatsverwaltung Kultur und Europa’ art fund to propose and realize their own artworks. Respondents Pauline Püschel and Anne Wesolek have each composed works reflecting on their tasks in administration and their relationship to art.
The New York-based artist has been developing a practice examining violence and depression in White America around motifs like the 1999 Columbine massacre and Elliot Smith in the past. The new body of work builds on a personal cosmology exploring “universal experiences of loss, alienation, and a search for belonging.”
Curated by Elizaveta Shneyderman and Eben Woodward, the show comes accompanied by a text, written by Erin Prinz Schwartz, musing on the idea of personhood and proving it to the authorities. Artists featured in the show include Omari Douglin, Victoria Haynes, Jaclyn Jaconetta,Lulu Sanchez, and more.
The LA-based artist presents drawing, sculpture, video, and installation examining the “circuitous narratives that weave together elements of fantasy, physical and psychological trauma, and the often-fraught pursuit of an American ideal.”
Looking at race and social justice, the photography show explores the discipline’s evidentiary role it plays in “capturing the complexities attendant to social change.” Contributors include American Artist, Rashid Johnson, Glenn Ligon, Lorna Simpson, Carrie Mae Weems and others.
The LA-based artist has spent her decade-long career exploring the realities and fictions of national identity, often conflating them with the menace of consumerism and the perils of patriotism.
The theme of the show follows contemporary anxieties over climate change and capitalist destruction. It comes introduced by a short introductory text that follows the mutant realities of imminent human catastrophe.
The show features 62 Los Angeles-based artists, where all works do not exceed six inches in dimension. The size of the works, and their placement around the room sit somewhere between a museum and your grandmother’s home.
Curated by Quinn Harrelson, the show asks, “To what extent does a group of works construct an environment?” An accompanying text depicts a post-apocalyptic narrative with a different spin, where something else “crawls out from the earth’s core,” offering an alternative to doom.**