A
Lucia Leuci, Slug (1) (2016). Detail view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.
B
Lucia Leuci, Face (2016). Installation view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.
C
Santiago Leyba, Not home (2016). Detail view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.
D
Santiago Leyba, Not home (2016). Installation view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.
E
Santiago Leyba, Mayordomo (2016). Installation view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.
F
Lila de Magalhaes, Almost Myself (2016). Detail. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.
G
Lila de Magalhaes, Almost Myself (2016). Installation view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.
H
Justine Rivas, Pattern of a crowd (2016). Installation view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.
I
Lila de Magalhaes, Justine Rivas and Santiago Leyba in Cupid's Clearasil (2016). Exhibition view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.
J
Lucia Leuci, Slug (1) (2016). Installation view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.

Cupid’s Clearasil (2016) exhibition photos

, 5 January 2017

The Cupid’s Clearasil group exhibition at Portland’s Country Bumpkin ran from August 6 to September 29, 2016. 

Curated by Joaquin Dollar, the show featured work by Lila de Magalhaes, Lucia Leuci, Santiago Leyba and Justine Rivas.

Justine Rivas, ‘Pattern of a crowd’ (2016). Installation view. Image courtesy of Joaquin Dollar and Country Bumpkin, Portland.

An accompanying text goes as follows:

“Imagine Cupid growing up and getting pimples, along with all of the anxiety and identity dysphoria associated with that. A slug imagines itself and it becomes. Through a variety of drawing and sculpture, the works present the imaginings and becomings promised in the liminal. 

With a range of materials from found objects, ceramics, textiles, and epoxy resin to mixed media drawing, Country Bumpkin exploits the rawness of the unfinished basement as a meditation on liminality. Works in the space coalesce around the ever evolving landscape of crumbling cement and darkness.”**

The Cupid’s Clearasil group exhibition was on at Portland’s Country Bumpkin from August 6 to September 29, 2016.