Steven Warwick @ Exile, Jan 30 – Mar 5

, 29 January 2016
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Steven Warwick‘s NEUTRAL solo exhibition is on at Berlin’s Exile gallery, opening January 30 and running to March 5.

The show announcement comes accompanied by a text called ‘Figuring ‘Space” by philosopher and editor Robin Mackay, a detailed examination of the notion of ‘space’ as part of the “architecture–retail–real-estate–contemporary art complex”, and its inherently parasitic nature of “artisanal violence”:

“There is nothing that Berlin really stands for, except being cheap and cool, and drunk and druggie…it’s the potential to shape something, says a tech pioneer of his proposed ‘startup campus’ in the city.”

Berlin-based artist and musician, Warwick (aka Heatsick) works largely with immersive multimedia installations and performances, releasing music on PAN, and more recently presenting a play called Neonliberal at Cafe OTO in London.

Expect, perhaps, the history and development of East Berlin’s squat culture in a neoliberal context to play a role in the NEUTRAL exhibition, described by Mackay as “scenes that became photopathological simulacra laminated onto their own re-re-re-representation”.    

See the Exile website for details.**

“Art in the System. The System in Art.” A guide to Gallery Weekend Berlin, Apr 28 – 30

27 April 2017

Steven Warwick‘s NEUTRAL solo exhibition is on at Berlin’s Exile gallery, opening January 30 and running to March 5.

The show announcement comes accompanied by a text called ‘Figuring ‘Space” by philosopher and editor Robin Mackay, a detailed examination of the notion of ‘space’ as part of the “architecture–retail–real-estate–contemporary art complex”, and its inherently parasitic nature of “artisanal violence”:

“There is nothing that Berlin really stands for, except being cheap and cool, and drunk and druggie…it’s the potential to shape something, says a tech pioneer of his proposed ‘startup campus’ in the city.”

Berlin-based artist and musician, Warwick (aka Heatsick) works largely with immersive multimedia installations and performances, releasing music on PAN, and more recently presenting a play called Neonliberal at Cafe OTO in London.

Expect, perhaps, the history and development of East Berlin’s squat culture in a neoliberal context to play a role in the NEUTRAL exhibition, described by Mackay as “scenes that became photopathological simulacra laminated onto their own re-re-re-representation”.    

See the Exile website for details.**

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