Lonesome Wife @ Seventeen, Sep 29 – Nov 5

, 28 September 2016
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The Lonesome Wife group exhibition is on at London’s Seventeen, opening September 30 and running to November 5.

Organised by Attilia Fattori Franchini, the exhibition includes Lisa Holzer, Isaac Lythgoe, Victoria Adam, Adriano Amaral, Noah Barker, Luis Miguel BendañaPatrizio di MassimoJustin Fitzpatrick, and Vanessa Safavi.   

The exhibition takes its name from American novelist William H. Gass’ 1989 book Willie Masters’ Lonesome Wife. The press release includes an excerpt that states “…there’s nothing female about a column of air, a gall on a tree – surely both, like bloomers on the swing’s seat… so I’m a spiky bush at least, I like to think, knotty and low growing, scratchy though flowering, a hawthorne would suit me”, alluding to the themes of the show.

Using text as a starting point, Gass creates “a parallel between a concrete use of language and the female body of Babs Masters, both employed as tools of persuasion, absorbing the reader-viewer in a game of intimate eclipse and revelation”. The exhibition explores seduction and how it can serve as narrative tool as well as “an antidote to boredom and disinterest”. Exhibited works hint at the body, the physicality of text and the linguistic capacity of objects. They move between form, process and content, to be read or to be felt.

See the Seventeen website for details.**

Seventeen

Luis Miguel Bendaña, ‘Blush On A Man’ (2015), Detail. Courtesy the artist.

A planetarium of loss + grief: David Blandy sifts through the macro + micro of The End of the World at Seventeen, Nov 2 – Dec 16

1 November 2017

The Lonesome Wife group exhibition is on at London’s Seventeen, opening September 30 and running to November 5.

Organised by Attilia Fattori Franchini, the exhibition includes Lisa Holzer, Isaac Lythgoe, Victoria Adam, Adriano Amaral, Noah Barker, Luis Miguel BendañaPatrizio di MassimoJustin Fitzpatrick, and Vanessa Safavi.   

The exhibition takes its name from American novelist William H. Gass’ 1989 book Willie Masters’ Lonesome Wife. The press release includes an excerpt that states “…there’s nothing female about a column of air, a gall on a tree – surely both, like bloomers on the swing’s seat… so I’m a spiky bush at least, I like to think, knotty and low growing, scratchy though flowering, a hawthorne would suit me”, alluding to the themes of the show.

Using text as a starting point, Gass creates “a parallel between a concrete use of language and the female body of Babs Masters, both employed as tools of persuasion, absorbing the reader-viewer in a game of intimate eclipse and revelation”. The exhibition explores seduction and how it can serve as narrative tool as well as “an antidote to boredom and disinterest”. Exhibited works hint at the body, the physicality of text and the linguistic capacity of objects. They move between form, process and content, to be read or to be felt.

See the Seventeen website for details.**

Seventeen

Luis Miguel Bendaña, ‘Blush On A Man’ (2015), Detail. Courtesy the artist.

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Scintillating syntax + chasing the cheese in Rhys Coren’s Whistle Bump Super Strut at Seventeen, Mar 9 – Apr 15

6 March 2017

The Lonesome Wife group exhibition is on at London’s Seventeen, opening September 30 and running to November 5.

Organised by Attilia Fattori Franchini, the exhibition includes Lisa Holzer, Isaac Lythgoe, Victoria Adam, Adriano Amaral, Noah Barker, Luis Miguel BendañaPatrizio di MassimoJustin Fitzpatrick, and Vanessa Safavi.   

The exhibition takes its name from American novelist William H. Gass’ 1989 book Willie Masters’ Lonesome Wife. The press release includes an excerpt that states “…there’s nothing female about a column of air, a gall on a tree – surely both, like bloomers on the swing’s seat… so I’m a spiky bush at least, I like to think, knotty and low growing, scratchy though flowering, a hawthorne would suit me”, alluding to the themes of the show.

Using text as a starting point, Gass creates “a parallel between a concrete use of language and the female body of Babs Masters, both employed as tools of persuasion, absorbing the reader-viewer in a game of intimate eclipse and revelation”. The exhibition explores seduction and how it can serve as narrative tool as well as “an antidote to boredom and disinterest”. Exhibited works hint at the body, the physicality of text and the linguistic capacity of objects. They move between form, process and content, to be read or to be felt.

See the Seventeen website for details.**

Seventeen

Luis Miguel Bendaña, ‘Blush On A Man’ (2015), Detail. Courtesy the artist.

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