0
0
8521
352
0
item-art-and-design
Haroon Mirza @ Lisson Gallery reviewed.0
0
8521
8521
0
352
item-art-and-design
‘H comme Histoire’ @ Gâité Lyrique reviewed.0
0
8527
0
8521
352
8521
0
item-art-and-design
Aram Bartholl @ XPO Gallery reviewed.0
0
0
8521
352
8521
0
item-art-and-design
Michael DeForge’s ‘Sticks Angelica, Folk Hero’ reviewed.0
0
8521
352
8521
0
item-art-and-design
Robin Mason @ Block 336 reviewed.0
0
0
0
8521
352
8521
0
8526
item-digital-and-motion
Olia Lialiana & Dragan Espenschied in conversation @ Photographer’s Gallery.0
0
0
8521
352
8521
0
item-art-and-design
The Knife @ Roundhouse reviewed.0
0
8521
352
8521
0
item-art-and-design
Chiptune resurrected.0
8521
352
8521
0
352
item-art-and-design
Navid Nuur @ Parasol Unit reviewed.0
8521
352
8521
0
item-art-and-design
Simon Hanselmann’s ‘Megg and Mogg’ reviewed.0
8521
352
8521
0
item-art-and-design
A survey of bygone technology.0
8521
352
8521
0
352
item-art-and-design
‘Le Tamis et le sable’ 2/3 @ Maison Populaire de Montreuil reviewed.

Latest

  • Haroon Mirza @ Lisson Gallery reviewed.

    music
    Haroon Mirza

    Haroon Mirza’s  o/o/o/o installations at Lisson Gallery visualise minimalistic production processes, run electric dreams between sonic mechanisms, amplify insect movements across reverb chambers, and throw broken samples into site-specific wave patterns.
    Industrial, stripped-back, bare, it is an exhibition where echoes of the minimal artist’s practice is laid bare. Squared to the entrance, ‘Untitled 2013’ visually marks out a borrowed aesthetic.  Small and rectangular, divided into one green half and another blue segment composed from a series of commercially available LED lights, it clearly mirrors Dan Flavin’s use of readymade fluorescent lights, made up as luminescent sculptures in national art galleries. It’s famous, beyond the walls…

    Read more >>

  • ‘H comme Histoire’ @ Gâité Lyrique reviewed.

    video
    01_09_7066_godard_1

    If you agree with Foucault’s notion that history is circular rather than linear, then the second-last installment of the Moving_Image cycle’s Contemporary ABC at Gaîté Lyrique, H comme Histoire (‘H as in History) should appeal. The films presented link historical events in a postmodern mash-up of content, as well as form, beginning with the master himself, Jean Luc Godard, and his video art documentary collage. A futile attempt to describe his work and make it match its content De l’origine du XXIe siècle (Origins of the XXI Century) is an edited collection of real footage as film excerpts of a 20th century narrative in…

    Read more >>

  • Aram Bartholl @ XPO Gallery reviewed.

    graphic
    Aram Bartholl

    If contemporary internet-based art is anything to go by, the world-renowned German artist Aram Bartholl could be qualified as a ‘conscientious objector’ of web 2.0. Indeed, right from his start in 1995, and later through his collaboration with the The Free Art and Technology Lab (F.A.T.), he skilfully forewarned people of the coercive power of technology, media and, to some extent, social networks. The exhibition ‘Retweet if you want more followers’, a title that reads like a daily mantra for any surfer, is an examination of the issues of interaction between the virtual world, reality and their collusion.
    Working both online and offline, Bartholl’s keynote…

    Read more >>

  • Michael DeForge’s ‘Sticks Angelica, Folk Hero’ reviewed.

    graphic
    Michael DeForge, 'Sticks Angelica, Folk Hero'.

    Since winning the Best Emerging Talent category at the 2010 Doug Wright Awards for his Lose #1, Michael DeForge‘s work has been through some startling transformations. His latest, Sticks Angelica, Folk Hero, shows him moving into another gear, away from the acidic clashing colours and grotesque humour of his recent Ant Comic and towards a more muted and bucolic approach. It’s one that hints at topicality, while retaining a breezy humour -if not occasionally containing traces of DeForge’s trademark cruelty.
    His main protagonist, the fiercely self-sufficient Sticks Angelica, is an intriguing creation. Her occupations are listed in the first instalment and include Mountie, Olympian, Headmistress…

    Read more >>

  • Robin Mason @ Block 336 reviewed.

    graphic
    Robin Mason, The Deepest Darkness. Install View.

    The Deepest Darkest journeys into Welsh born artist Robin Mason’s autobiographical past in a series of spectacularly surreal works set against Block 336 Gallery’s stark Brutalist backdrop.
    Within the basement space Mason’s story begins to unfold against white walls and cold concrete floors. Soaked in the strip light’s harsh glare a disco ball’s reflection meditatively spins a showbiz sparkle over the amusement arcades of yesteryear. Each is outdated, yet their resonance is accentuated against the backdrop.
    Every one of them has inescapable charm. A wooden slot machine takes a dime to predict your future; The Super Love Test lets you know you’re the jealous type, while…

    Read more >>

All Features All Interviews All Reviews

News

  • A new Inga Copeland mixtape.

    music
    Ever since branching off on their own, Dean Blunt and Inga Copeland have not stopped surprising us. Blunt with his high def romanticism in last month’s The Redeemer and...
    Read more >>
    Inga Copeland

  • Lace Curtain – ‘Falling II’.

    music
    Australian synth outfit Lace Curtain are on winning run with eminent label signings this year. Having already released their self-titled EP on DFA in March, they’ll have a new...
    Read more >>
    Lace Curtain - 'Falling II'.

  • Aches – ‘Rain’.

    video
    Jonathan Fox has released a video under his Aches musical moniker (one of many). Recorded in Bratislava and featuring the artist and producer in some beautiful landscapes indeed, the...
    Read more >>
    Aches - 'Rain'.

  • First Unsound Festival announcement

    music
    The first batch of artists set to appear at this year’s Unsound Festival in Krakow, Poland, have been announced. Chicago footwork pioneer RP Boo, gloomy Blackest Ever Black singing...
    Read more >>
    Pharmakon

  • Sanctum 2 new launch trailer

    games
    And a couple of years after (or so) the Swedish house Coffee Stain Studios whose roots go back to the 2009 edition of “Make Something Unreal“, have finally released...
    Read more >>
    Sanctum 2

  • The Congress

    video
    Ari Folman, that gifted director who amazed us all 5 years ago with his animated and somehow personal view of Israel’s 1982 Lebanon invasion on Waltz with Bashir is...
    Read more >>
    kinopoisk.ru
All News

Media:

Videos

Photos

All Media

Elsewhere:

Twitter

Facebook

All Social

Events

All Events

Open competitions

All Competitions

Supporting

All Supporting