Gajek is releasing LP Vitamin D via the UK’s Throttle Records on August 7, with a music video for ‘When You Play The Flute, But Your Mother Is Like’, directed with Paul Barsch, premiering on AQNB today. The release follows the Berlin-based artist and producer’s previous ’17 album, which also included a 360° video collaboration with Barsch for ‘The Shape Of Pipes To Come‘, as well as cover art by his New Scenario co-founder and collaborator Tilman Hornig.
Musically, the new record is a departure from Gajek’s heavier kraut-inspired club music, where a more blues and folk aesthetic comes through in a hollow body guitar. Formally, tracks like ‘Doorslams and Rockslides’ and ‘People With Nicknames’ feature the motorik rhythms, processed vocals and woven synth protrusions of an electronic sound palette. ‘When You Play The Flute, But Your Mother Is Like…’ follows a similarly analogue-leaning framework for prog-like cadences, with the shabby meme-inspired visuals to match. Various fruits and vegetables are jury-rigged with wires and other electronic apparatuses in an ironically literal interpretation of the track’s electroacoustic style.**
Like what you see? AQNB continues to exist only through the dedication and generosity of the community it promotes. You can help us keep going by way of a monthly subscription to our Patreon.
All funds raised will go directly to editorial commissioning and support our contributors in their excellent work.
Recent articles
Announcing our 2012-2022 anthology & end-of-life for AQNB.com’s publishing with a book launch & club night send-off at London’s ICA
19 May 2023
focus
One plus three tracks per week makes twelve for PHILTH HAUS’s ongoing musical epic of sexual taxonomy that continues with “PNSXL”
aqnb, 7 February 2023
sound
Kelora burrows into an expansive lullaby with the ghostly folk & spectral digital artefacts of ‘To Nowhere’
aqnb, 6 February 2023
sound
Jonnine of HTRK’s intoxicating ghost story “Tea For Two (Boo)” languishes at the border between the ordinary & the uncanny
2 February 2023
focus
Olga Productions announces new compilation RUINES with the unrelenting donk euphoria of Antony No Limit’s ‘Laisse-Toi Dériver’
aqnb, 30 January 2023
sound
Willem Feltzer & Rik Laging, ‘Lyves II’ (2023). Courtesy the artists + PLAZA.
27 January 2023
video
REIF shares video from Eventide at Julia Stoschek Foundation by artists Fa’ Pawaka & LABOUR
23 January 2023
PHILTH HAUS & Chelsea’s “PROSXL (Radio Edit)” probes taxonomies of queer identity in a brutal collision of consumptive joy
aqnb, 10 January 2023
sound
Dread, mourning & alienation in Hannah Rose Stewart & Blackhaine’s ‘MIASMA’ neo-noir A/V performance
9 January 2023
photo
SEBA debuts EP with the tenacious electro-clash & up-tempo pop of ‘TRACE’
aqnb, 22 November 2022
sound
Complex structures & cosmic phenomena in the light sculptures & video mapping of Kévin Bray at Trauma Bar und Kino
7 November 2022
photo
A walk through time: reflecting on ecology & action during Sonic Acts biennial exhibition, one sun after another
Matt Dell, 31 October 2022
reviews
Moro La Flor updates alias & debuts surf rock-reggaeton record via NAAFI following hiatus with the video for ‘Golpe De Ola’
21 October 2022
video
Extractive Commodities: Maryam Monalisa Gharavi & Sam Lavigne discuss Oil News 1989-2020 & OBIT for Sonic Acts 2022 Biennial exhibition
Matt Dell, 19 October 2022
interviews
Ecology & temporality: a look ahead at Sonic Acts’ 2022 Biennial exhibition, one sun after another