RRUCCULLA‘s SHuSH album was released via Bilbao’s BIIPBIIP on October 31, with track ‘Tea Gambler’ featuring on AQNB today. The Bilbao-based producer and drummer has released a whopping six mini-albums since starting in 2015, taking her influence from an eclectic set of styles, including free-jazz, drum n bass, footwork, math rock and Latin music, among others.
Comparisons could be drawn to the frenetic IDM of artists like Flying Lotus and AFX, as well the brash and colourful multiverses of the PC Music crew, Iglooghost or Galen Tipton. RRUCCULLA is more intense though, where ‘Tea Gambler’ runs on a nervous broken beat and stabbing hoover cutups that breathlessly vacillate around their own cyclic energy.**
RRUCCULLA’s SHuSH album was released via Bilbao’s BIIPBIIP on October 30, 2018.
Like what you see on AQNB? We’d like to ask you for some help and encouragement by way of a monthly subscription to our Patreon. All funds raised will go directly to editorial commissioning and therefore support our contributors in their excellent work.
It is only through the dedication and generosity of everyone involved that AQNB manages to continue. More than ever we need to build a resilient space for independent media, one that works in collaboration with its artists, administrators, and audiences. Not everyone can afford to give donations we know - but if you can spare $1 a month, you like what AQNB is about and want to secure this space for the future, then please lend a hand and sign up. Thank u so much! <3
Victoria Haynes on falling in love with her idols via the internet & the cross-temporal relationships of her museological parafiction
London’s Pentu contributes a delirious digital club dreamscape to Merci Jitter’s Riddled Form compilation
Examining representations of race & queer experience through the lens of artist James Bantone in Zurich
Lucy Cliché contributes ‘Ladies Pool’ to Sydney label Body Promise’s mutant dance music from the Australian DIY underground
Sci-fi futurism & pop cultural interpolations in the Infrared Roses group exhibition at Sleepy Hollow Fine Art, Portland
Art Los Angeles Contemporary’s 10th edition is testament to endurance on the edges of the Californian city as it was & will be
Angels in America present a vivid depiction of fractured identity in their ‘Congealer’ video directed by Boy Harsher’s Jae Matthews
DJ Plead delivers bristling & stark percussion inspired by Middle Eastern rhythms for ‘Baharat’, named after a Lebanese spice blend
The figure of the witch as contemporary folk hero with Devin Troy Strother at Shoot The Lobster, Los Angeles
Cherushii & Maria Minerva’s posthumous 12-inch features a cheap & glorious take on the 90s house VHS bootleg for ‘Out By Myself’
Recreate, record, communicate, propagate: C.A.N.V.A.S.’s Cipher examines coded messages & the hegemony of authorship in music
Freedom & control: Issues of power, privacy & accountability in our digital lives at the heart of the EU in Strasbourg
Brave new worlds: rkss shares a mix & some thoughts on flattening the hierarchy of cultural value in music ahead of Sonic Acts 2019
Tami T traces the endless cycle of dating & disappointment in the thumping electro house of ‘Single Right Now’ via her new label
Cade’s body horror sci-fi supports the sound of inscrutable individual experience in Precious Child’s ‘Beat it Back’
