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BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between. (2016). Exhibition view. Courtesy of UTTER Collective, Venice.
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BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between. (2016). Exhibition view. Courtesy of UTTER Collective, Venice.
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BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between. (2016). Exhibition view. Courtesy of UTTER Collective, Venice.
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BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between. (2016). Exhibition view. Courtesy of UTTER Collective, Venice.
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BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between. (2016). Exhibition view. Courtesy of UTTER Collective, Venice.
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BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between. (2016). Exhibition view. Courtesy of UTTER Collective, Venice.
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BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between. (2016). Exhibition view. Courtesy of UTTER Collective, Venice.
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BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between. (2016). Exhibition view. Courtesy of UTTER Collective, Venice.
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BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between. (2016). Exhibition view. Courtesy of UTTER Collective, Venice.
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Ann Hirsch, 'Jason Biddies Portrait' (2013). Courtesy of UTTER Collective, Venice.
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Ann Hirsch, 'Jason Biddies Portrait' (2013). Courtesy of UTTER Collective, Venice.
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Molly Soda, 'I need you to try and be more in love with me' (2015). Courtesy of UTTER Collective, Venice.
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Molly Soda, 'It’s like going to home depot when you just want someone to hold your hand' (2015). Courtesy of UTTER Collective, Venice.
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Tabita Rezaire, 'Peaceful Warrior' (2015). Courtesy of UTTER Collective, Venice.
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Tabita Rezaire, 'Sorry For Real' (2015). Courtesy of UTTER Collective, Venice.
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BRONDE. It’s not blonde… (2016) exhibition photos

, 19 August 2016
photo

The BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between group exhibition was on in Milan on the ground floor of a beauty Salon called Orea Malià, running February 11 to March 3, 2016. Curated by UTTER Collective, the show featured works by Ann Hirsch, Molly Soda and Tabita Rezaire. It is the first project supported by Fiori; a soon to be launched platform that seeks to create occasions of dialogue and confrontation between art, research and activism.

Tabita Rezaire, 'Sorry For Real' (2015). Courtesy of UTTER Collective, Milan.
Tabita Rezaire, ‘Sorry For Real’ (2015). Courtesy of UTTER Collective, Venice.

Analysing the social and political implications that new technologies have on gender, representation and mass culture, the exhibition guided the viewer through a journey by sharing common aesthetics and sensitivities.

Using Tablets and TV screens, the group of young artists reflected on the possibilities of equal representation of minorities and marginalised groups and interrogated the way digital infrastructures alter the organisation and perception of human relationships.**

Utter Collective’s Bronde…group exhibition was on at Milan’s Orea Malià, running February 11 to March 3, 2016.

Header image:’BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between.’ (2016). Exhibition view. Courtesy of UTTER Collective.

 

 

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'BRONDE. It’s not blonde. It’s not brunette. It’s somewhere (really pretty) in between' Ann Hirsch Molly Soda Tabita Rezaire UTTER Collective
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