Cécile B. Evans – ‘Made With Minds’

, 24 June 2013
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Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

GCC @ Kraupa-Tuskany Zeidler, Nov 8

4 November 2013

Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

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Beny Wagner @ Import Projects, Nov 4

4 November 2013

Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

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Paul Kneale, Holly White & friends @ V22 studios, Oct 25

25 October 2013

Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

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Eleanor Weber @ M.I., opening Feb 24

24 February 2016

Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

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Sadness of Microtonality 2.2 @ M.I., Feb 11

10 February 2016

Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

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Copeland – ‘Fit’

28 August 2013

Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

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Stellar OM Source ‘Polarity’ video

20 June 2013

Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

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Federico Campagna @ RCAfe, May 25

24 May 2016

Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

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TEXT2SPEECH: Proxy Politics As Withdrawal @ ICA, May 12

11 May 2016

Based between London and Berlin, Cécile B. Evans produced a video work in the surrounds of  Palazzo Peckham during this year’s Venice Biennale. The buzz of the major art exhibition, the collective launched American Medium Network, illustrating the growing engagement with popular culture and mass media by emerging artists and Evans’ video piece is no different.

Here she intersperses footage of the art space with obscured female head features and gaudy graphics with a pitched-down narrative of modern malaise before pulling out a quote from Ciara’s ‘Like a Boy‘: “we’d be out. Four in the morning, on the corner rolling, doing our own thing”. The uneasy collusion of art and popular culture just got a whole lot more unsettling. **

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