Olia Lialina & Dragan Espenschied artist talk

, 6 May 2013
news

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

GCC @ Kraupa-Tuskany Zeidler, Nov 8

4 November 2013

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

Beny Wagner @ Import Projects, Nov 4

4 November 2013

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

Paul Kneale, Holly White & friends @ V22 studios, Oct 25

25 October 2013

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

Federico Campagna @ RCAfe, May 25

24 May 2016

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

TEXT2SPEECH: Proxy Politics As Withdrawal @ ICA, May 12

11 May 2016

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

‘Seeds Underground Party’ @ Furtherfield Gallery

29 August 2013

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

C.回.R to run alongside Visions of the Now

20 May 2013

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

REAL_DANCING_GIRL updates her look

25 April 2013

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

How to Read presents an evening of friendship, art + mainly gossip in TALK with Linda Rosenkrantz + co. at The Standard LA, Sep 26

26 September 2017

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

RCA Graduate Shows 2013

18 June 2013

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

M.I.A. drops new song

18 June 2013

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item

Jan Kempenaers @ Breese Little

10 June 2013

German-based net artists and collaborators, Olia Lialina and Dragan Espenschied will be appearing at The Photographer’s Gallery in London to discuss web culture in the 90s, digital vernacular and performative archiving. It’s happening on Friday, May 10, and runs in conjunction with their current exhibition One Terabyte Of Kilobyte Age, which focusses on the now-defunct and largely lost digital ruins of free web-hosting service geocities.com -founded in 1995, bought by Yahoo! in 1999 and then killed by social media platforms a decade later. Taken from the terabyte of data that the rogue collective Archive Team managed to salvage from the wreckage, 16,000 personal homepages are on display.

Olia Lialiana.
Olia Lialiana.

Lialina‘s influential work includes ‘My boyfriend came back from the war‘ (1996) and has become synonymous with the advocacy of freedom of information and Chuck Poynter’s dancing girl, while she and Espenschied’s past collaborations include ‘Zombie & Mummy‘ (2002). Incidentally, the latter 8bit musician and media artist has experimented with teletext art in the past. Also appearing alongside the exhibition is Brooklyn-based computer artist and musician Jeremiah Johnson‘s ‘Watching the Heavens‘. Not to be missed.**

  share news item