Beny Wagner @ Import Projects, Nov 4

, 4 November 2013
news

The idea of privacy and opacity has been a major theme across the art events we’ve been covering of late, from the panopticon of Kassel’s Speculations on Anonymous Materials and the preoccupations with veiling at Vienna’s Faceless II to online identity representations in Calculating Virtual Ratios at Import Projects. In parallel to that, the latter Berlin venue will also be hosting artist Beny Wagner’s Invisible Measure, running November 4 to December 8.

Adding to the discussion -a topical one in these days of data-spying -Wagner’s is an attempt to make sense of an increasingly confusing reality, through mapping the evolution of our relationship to transparency next to a gradual shift away from the material into the immaterial labour processes over the last century.

See the Import Projects website for more details. **

GCC @ Kraupa-Tuskany Zeidler, Nov 8

4 November 2013

The idea of privacy and opacity has been a major theme across the art events we’ve been covering of late, from the panopticon of Kassel’s Speculations on Anonymous Materials and the preoccupations with veiling at Vienna’s Faceless II to online identity representations in Calculating Virtual Ratios at Import Projects. In parallel to that, the latter Berlin venue will also be hosting artist Beny Wagner’s Invisible Measure, running November 4 to December 8.

Adding to the discussion -a topical one in these days of data-spying -Wagner’s is an attempt to make sense of an increasingly confusing reality, through mapping the evolution of our relationship to transparency next to a gradual shift away from the material into the immaterial labour processes over the last century.

See the Import Projects website for more details. **

Paul Kneale, Holly White & friends @ V22 studios, Oct 25

25 October 2013

The idea of privacy and opacity has been a major theme across the art events we’ve been covering of late, from the panopticon of Kassel’s Speculations on Anonymous Materials and the preoccupations with veiling at Vienna’s Faceless II to online identity representations in Calculating Virtual Ratios at Import Projects. In parallel to that, the latter Berlin venue will also be hosting artist Beny Wagner’s Invisible Measure, running November 4 to December 8.

Adding to the discussion -a topical one in these days of data-spying -Wagner’s is an attempt to make sense of an increasingly confusing reality, through mapping the evolution of our relationship to transparency next to a gradual shift away from the material into the immaterial labour processes over the last century.

See the Import Projects website for more details. **

Eleanor Weber @ M.I., opening Feb 24

24 February 2016

The idea of privacy and opacity has been a major theme across the art events we’ve been covering of late, from the panopticon of Kassel’s Speculations on Anonymous Materials and the preoccupations with veiling at Vienna’s Faceless II to online identity representations in Calculating Virtual Ratios at Import Projects. In parallel to that, the latter Berlin venue will also be hosting artist Beny Wagner’s Invisible Measure, running November 4 to December 8.

Adding to the discussion -a topical one in these days of data-spying -Wagner’s is an attempt to make sense of an increasingly confusing reality, through mapping the evolution of our relationship to transparency next to a gradual shift away from the material into the immaterial labour processes over the last century.

See the Import Projects website for more details. **

Sadness of Microtonality 2.2 @ M.I., Feb 11

10 February 2016

The idea of privacy and opacity has been a major theme across the art events we’ve been covering of late, from the panopticon of Kassel’s Speculations on Anonymous Materials and the preoccupations with veiling at Vienna’s Faceless II to online identity representations in Calculating Virtual Ratios at Import Projects. In parallel to that, the latter Berlin venue will also be hosting artist Beny Wagner’s Invisible Measure, running November 4 to December 8.

Adding to the discussion -a topical one in these days of data-spying -Wagner’s is an attempt to make sense of an increasingly confusing reality, through mapping the evolution of our relationship to transparency next to a gradual shift away from the material into the immaterial labour processes over the last century.

See the Import Projects website for more details. **

‘OFFLINE ART: Hardcore’ @ Kasseler Kunstverein

28 August 2013

The idea of privacy and opacity has been a major theme across the art events we’ve been covering of late, from the panopticon of Kassel’s Speculations on Anonymous Materials and the preoccupations with veiling at Vienna’s Faceless II to online identity representations in Calculating Virtual Ratios at Import Projects. In parallel to that, the latter Berlin venue will also be hosting artist Beny Wagner’s Invisible Measure, running November 4 to December 8.

Adding to the discussion -a topical one in these days of data-spying -Wagner’s is an attempt to make sense of an increasingly confusing reality, through mapping the evolution of our relationship to transparency next to a gradual shift away from the material into the immaterial labour processes over the last century.

See the Import Projects website for more details. **