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Megan Plunkett, The Invader 02 (2021). Installation view. Photo by Evan Walsh. Image courtesy the artist.
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Megan Plunkett, The Invader 01 (2021). Installation view. Photo by Evan Walsh. Image courtesy the artist.
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Pull-back Dolly! (2021). Exhibition view. Photo by Evan Walsh. Image courtesy the artist.
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V. Vale, The Doll Squad (Ted V. Mikels) (1987). Installation view. Photo by Evan Walsh. Image courtesy the artist.
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Pull-back Dolly! (2021). Exhibition view. Photo by Evan Walsh. Image courtesy the artist.
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Flannery Silva, Ozma (2021). Installation view. Photo by Evan Walsh. Image courtesy the artist.
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Pull-back Dolly! (2021). Exhibition view. Photo by Evan Walsh. Image courtesy the artist.
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Danielle Neu, Flannery in White Boots (2021). Installation view. Photo by Evan Walsh. Image courtesy the artist.
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Danielle Neu, Flannery in Makeup (2021). Installation view. Photo by Evan Walsh. Image courtesy the artist.
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Voyeurism, image mediation & the psychological state of the silver screen in the Pull-back Dolly! group show

, 9 August 2021
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Pull-back Dolly!, a group exhibition curated by Danielle Neu, is on at 1860 N. Wilton Place, Los Angeles, running July 10 to August 15.

Pull-back Dolly! (2021). Exhibition view. Photo by Evan Walsh. Image courtesy the artist.

Drawing its title from the classic Hollywood camera technique, the show features artists including Flannery Silva, Megan Plunkett and V.Vale, responding to postmodern discussions of image mediation and the voyeurism of the camera. As stated in the exhibition press release: “Déjà-vous abounds, ‘have I seen this before?’, but refraction is different than reflection.”**

The Pull-back Dolly! group exhibition is on at Los Angeles’ 1860 N. Wilton Place, running July 10 to August 15, 2021.

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Danielle Neu Flannery Silva Megan Plunkett
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