A
Josep Maynou and Jordi Mitjà, Chandelier (2019). Installation view. Image courtesy the artists + Bombon Projects, Barcelona.
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Josep Maynou and Jordi Mitjà, Return of the Junker. JM2000 (2019). Exhibition view. Image courtesy the artists + Bombon Projects, Barcelona.
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Josep Maynou and Jordi Mitjà, Return of the Junker. JM2000 (2019). Exhibition view. Image courtesy the artists + Bombon Projects, Barcelona.
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Josep Maynou and Jordi Mitjà, Línia (2019). Installation view. Image courtesy the artists + Bombon Projects, Barcelona.
E
Josep Maynou and Jordi Mitjà, Return of the Junker. JM2000 (2019). Exhibition view. Image courtesy the artists + Bombon Projects, Barcelona.
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Josep Maynou and Jordi Mitjà, Dirty October W (2019). Installation view. Image courtesy the artists + Bombon Projects, Barcelona.
G
Josep Maynou and Jordi Mitjà, Return of the Junker. JM2000 (2019). Exhibition view. Image courtesy the artists + Bombon Projects, Barcelona.
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Josep Maynou and Jordi Mitjà, Return of the Junker. JM2000 (2019). Exhibition view. Image courtesy the artists + Bombon Projects, Barcelona.
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Josep Maynou and Jordi Mitjà, Return of the Junker. JM2000 (2019). Exhibition view. Image courtesy the artists + Bombon Projects, Barcelona.
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Josep Maynou and Jordi Mitjà, Junker (2019). Installation view. Image courtesy the artists + Bombon Projects, Barcelona.
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Josep Maynou and Jordi Mitjà, Lámpara Keys (2019). Installation view. Image courtesy the artists + Bombon Projects, Barcelona.
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Josep Maynou and Jordi Mitjà, Roll bar storage (2019). Installation view. Image courtesy the artists + Bombon Projects, Barcelona.

Becoming machine in the playfully dystopian sculptural work of Josep Maynou & Jordi Mitjà

, 17 February 2020

Return of the Junker. JM2000, a duo exhibition by Josep Maynou and Jordi Mitjà, curated by Sira Pizà, was on at Barcelona’s Bombon Projects, running October 10 to December 6.

Josep Maynou and Jordi Mitjà, Return of the Junker. JM2000 (2019). Exhibition view. Image courtesy the artists + Bombon Projects, Barcelona.

Featuring playfully menacing installation and sculptures, the works are fabricated from old car components, repurposed in the family metal shop of one of the artists. Bringing to mind dystopian movies such as Mad Max and The Cars That Ate Paris, the exhibition evokes the automobile as a 20th century icon in a technological future that’s gone to disarray. As Sira Pizà’s text on the show states: “We make technology in our likeness and we think of it as part of ourselves: it’s already replacing us, we’ve already become one.”**

Josep Maynou and Jordi Mitjà’ Return of the Junker. JM2000, curated by Sira Pizà, was on at Barcelona’s Bombon Projects, running October 10 to December 6, 2019.