A
Alex Rathbone, Do You Believe in God (2018). Installation view. Image courtesy the artist + Harlesden High Street, London.
B
Charlotte-Maëva Perret, The Riot Collection (2015). Installation view. Image courtesy the artist + Harlesden High Street, London.
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Charlotte-Maëva Perret, The Riot Collection (2015). Installation view. Image courtesy the artist + Harlesden High Street, London.
D
Justine Aubrit, Body AI Perfume (2019). Installation view. Image courtesy the artist + Harlesden High Street, London.
E
Night Market Vol. 1 (2019). Exhibition view. Image courtesy the artists + Harlesden High Street, London.
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Night Market Vol. 1 (2019). Exhibition view. Image courtesy the artists + Harlesden High Street, London.
G
Goldern Lantern Video Collection (2019). Installation view. Image courtesy the artists + Harlesden High Street, London.
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Night Market Vol. 1 (2019). Exhibition view. Image courtesy the artists + Harlesden High Street, London.
I
Jim Feng x Adrian Lam, KHHLOE (2019). Installation view. Image courtesy the artists + Harlesden High Street, London.
J
Night Market Vol. 1 (2019). Exhibition view. Image courtesy the artists + Harlesden High Street, London.
K
Night Market Vol. 1 (2019). Exhibition view. Image courtesy the artists + Harlesden High Street, London.
L
Youada, Samate Gifs (2019). Installation view. Image courtesy the artist + Harlesden High Street, London.

Examining branding & capital through the poetry of the bootleg at the Night Market Vol. 1 group exhibition

, 21 October 2019

The Night Market Vol. 1 group exhibition, curated by Klara Vincent-Novotna and Jonny Tanna, was on at London’s Harlesden High Street, running April 28 to June 5.

Charlotte-Maëva Perret, The Riot Collection (2015). Installation view. Image courtesy the artist + Harlesden High Street, London.

Featuring work by Justine Aubrite, Jim Feng, Ala Flora, Simon Hanselmann, Lawrence ‘Raw Dog’ Hubbard, Kiki Jiao, Castell Lanko, and Charlotte-Maëva Perret, the show took its premise of market-driven brand power through the phenomena of the knock-offs and fakes populating commercial stands. As the press text notes: “bootlegging suggests a poetic disregard for the norms of status-enforcing systems, negotiating class differences by adapting media and materials in inventive ways that resist the use value of the original, and using capital to do things it wasn’t designed to do.” Other contributing artists include Lydia Mathis, Alex Rathbone, Sheiko Reito, Jaqueline Ruther aka Mizucat, Dave Sayre, Ruini Shi, Jack Stevenson, Ray Tat, Twee Whistler, Jyn Wye and Youada.**

The Night Market Vol. 1 group exhibition, curated by Klara Vincent-Novotna and Jonny Tanna, was on at London’s Harlesden High Street, running 28 April to 5 June, 2019.