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Rory Pilgrim, The Bell (2019). Installation view. Photo by Marius Land. Image courtesy the artist, andriesse ~ eyck galerie + Kunstverein Göttingen.
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Rory Pilgrim, The Resounding Bell (2018). Installation view. Photo by Marius Land. Image courtesy the artist, andriesse ~ eyck galerie + Kunstverein Göttingen.
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Rory Pilgrim, Pick Up The Phone / Sound The Alarm, Bell VII (2019). Installation view. Photo by Marius Land. Image courtesy the artist, collection Wolfgang Tillmans + Kunstverein Göttingen.
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Josefin Arnell, I’m a creative being (2017). Installation view. Photo by Marius Land. Image courtesy the artist + Kunstverein Göttingen.
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Josefin Arnell, Moonshine (2019). Installation view. Photo by Marius Land. Image courtesy the artist + Kunstverein Göttingen.
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Josefin Arnell, Moonshine (2019). Installation view. Photo by Marius Land. Image courtesy the artist + Kunstverein Göttingen.
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Akinola Davies Jr., Boot/leg (2018). Installation view. Photo by Marius Land. Image courtesy the artist + Kunstverein Göttingen.
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Isabella Fürnkäs, Unpredictable Liars (2019). Installation view. Photo by Marius Land. Image courtesy the artist, Galerie Clages + Kunstverein Göttingen.
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Isabella Fürnkäs, Unpredictable Liars (2019). Installation view. Photo by Marius Land. Image courtesy the artist, Galerie Clages + Kunstverein Göttingen.
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Isabella Fürnkäs, Unpredictable Liars (2019). Installation view. Photo by Marius Land. Image courtesy the artist, Galerie Clages + Kunstverein Göttingen.
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Lorna Mills, Party Believer, Where Music Is, Histokay (2013-2015). Installation view. Photo by Marius Land. Image courtesy the artist + Kunstverein Göttingen.
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Sylbee Kim in For Better Or Worse group exhibition (2019). Exhibition view. Photo by Marius Land. Image courtesy the artist + Kunstverein Göttingen.
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Sylbee Kim, Spiny Face (2019). Installation view. Photo by Marius Land. Image courtesy the artist + Kunstverein Göttingen.
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Sylbee Kim, Spiny Face (2019). Installation view. Photo by Marius Land. Image courtesy the artist + Kunstverein Göttingen.
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Sylbee Kim, Trinity: Finance-Credo-Spirituality (2019). Installation view. Photo by Marius Land. Image courtesy the artist + Kunstverein Göttingen.
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New models of togetherness via digital spaces in the For Better Or Worse group exhibition curated by Tomke Braun & Daniela Seitz

, 12 August 2019
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The For Better Or Worse group exhibition, curated by Tomke Braun and Daniela Seitz, is on view at Kunstverein Göttingen, running July 14 to September 8.

Isabella Fürnkäs, Unpredictable Liars (2019). Installation view. Photo by Marius Land. Image courtesy the artist, Galerie Clages + Kunstverein Göttingen.

Featuring Josefin Arnell, Akinola Davies Jr., Isabella Fürnkäs, Sylbee Kim, Lorna Mills and Rory Pilgrim, the works span a number of media, from installation to video and with a particular attentiveness to music. The show pauses to consider how artists are exploring positive potentials for connection in online spaces, in opposition to popular discussion today focussing on the divisiveness of digital media. For Better Or Worse rather “embarks on an endless search for new models of togetherness, interaction, family, friendship, and other social connections.”** 

The For Better Or Worse group exhibition is on at Kunstverein Göttingen, Germany, running July 14 to September 8, 2019.

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Akinola Davies Jr Daniela Seitz Isabella Fürnkäs Josefin Arnell Kunstverein Göttingen Lorna Mills Rory Pilgrim Sylbee Kim Tomke Braun
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