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Hayden Dunham, Burns Blue (2019). Exhibition view. Image courtesy the artist + Company, New York.
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Hayden Dunham, Burns Blue (2019). Exhibition view. Image courtesy the artist + Company, New York.
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Hayden Dunham, Burns Blue (2019). Exhibition view. Image courtesy the artist + Company, New York.
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Hayden Dunham, Burns Blue (2019). Exhibition view. Image courtesy the artist + Company, New York.
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Hayden Dunham, Burns Blue (2019). Exhibition view. Image courtesy the artist + Company, New York.
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Hayden Dunham, Burns Blue (2019). Exhibition view. Image courtesy the artist + Company, New York.
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Hayden Dunham, Burns Blue (2019). Exhibition view. Image courtesy the artist + Company, New York.

Material investigations into form, light & bodies in the glass & mixed-media work of Hayden Dunham’s Burns Blue

, 22 July 2019

Burns Blue, a solo exhibition by Hayden Dunham, was on view at New York’s Company, between May 3 and June 2.

Hayden Dunham, Burns Blue (2019). Exhibition view. Image courtesy the artist + Company, New York.

In an exhibition space bathed in a faint blue wash of light, the show offers material investigations into the form and fabrication of glass with suspended and wall-mounted sculptural works. The pieces have a sense of presence and tension in the room that is further gelled together through light refractions and shadows.

As the catalogue texts elicits in moments of poetry: “Glass is a wall, burned down to a fevered river, tempered by the air into cold contour. And when shattered, the site of rough prism. A new being. It is for the light to shine through, and the dark to bud against. Where the dark grows, a slow blur between line and boundary, between body and material.”**

Hayden Dunham’s Burns Blue was on at Company, New York, between May 3 and June 2, 2019.