A
Jake Kent, 'Green Boot' (2018) Installation view. Courtesy the artist + HORSEANDPONY Fine Arts, Berlin.
B
Claude Eigan, 'After 6 protoform #8' (2018) Installation view. Courtesy the artist + HORSEANDPONY Fine Arts, Berlin.
C
Nuri Koerfer, 'Worm of the stones' (2018) Installation view. Courtesy the artist + HORSEANDPONY Fine Arts, Berlin.
D
Haptic House (2018) Installation view. Courtesy the artists + HORSEANDPONY Fine Arts, Berlin.
E
Haptic House (2018) Installation view. Courtesy the artists + HORSEANDPONY Fine Arts, Berlin.
F
Isaac Penn, 'It’s the Shoes that Talk.' (2018) Installation view. Courtesy the artist + HORSEANDPONY Fine Arts, Berlin.
G
Zsófia Keresztes, 'Mask of a drawn battle' (2018) Installation view. Courtesy the artist + HORSEANDPONY Fine Arts, Berlin.
H
Maximilian Schmoetzer, 'Untitled (Medizini Poster Waldrappen)' (2018) Installation view. Courtesy the artist + HORSEANDPONY Fine Arts, Berlin.
I
Monika Grabuschnigg, 'So it is a lover who bubbles and who foams' (2018) Installation view. Courtesy the artist + HORSEANDPONY Fine Arts, Berlin.
J
Josefin Arnell, 'Champs' (2018) Installation view. Courtesy the artist + HORSEANDPONY Fine Arts, Berlin.
K
Jake Kent, 'Cowboy (Stuffed Toy Prototype)' (2018) Installation view. Courtesy the artist + HORSEANDPONY Fine Arts, Berlin.

What is it about the bedroom that enables reverie over product? Exploring new art landscapes in Haptic House

, 19 June 2018

The Haptic House group exhibition at Berlin’s HORSEANDPONY Fine Arts opened April 29 and ran to June 10.

Curated by Penny Rafferty,  the work “neglects the common compositional gestures, rooted in the cannon of a formal art historical g(l)aze” and rather focuses on the personalized and compact moments.

The show features contributions by Kathy Acker, Josefin Arnell, Zuzanna Czebatul, Claude Eigan, Monika Grabuschnigg, Geovanna Gonzalez, Zsófia Keresztes, Leckhaus, Dennis Loesch, Jake Kent, Nuri Koerfer, Florian Oellers, Isaac Penn, Przemek Pyszczek, Jack Schneider, Maximilian Schmoetzer, Jonas Schoeneberg, Alan Sondheim and Rafal Zajko.

The House asks you to ‘scale-up your emotional content’ to explore a new form of art landscape that can exist outside the cube and the ‘designed gaze’, and asks “what is it about the bedroom that enables reverie over product”?**