The Berlin-based artist presented a series of works, including a single channel video that indicates “the sense of missing a deed that could never be achieved or events that could never occur, after the actual moment,” a series of 3D prints and digital prints, 8 freestanding mirrors placed in a circle facing outwards as well as a large-scale snake graphic spanning the hall floor of the gallery.
Sylbee Kim’s installation explores the fundamentals of life and death, using biblical references of the serpent and garden to play with our idea of past, present and future and how it relates to desire and regret.**
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