What’s on? AQNB’s weekly list of events + openings around London, Feb 27 – Mar 5

, 27 February 2018
news

Every week we trawl through our emails so you don’t have to. Special shout out goes to Leicester’s Two Queens who will open their new show on 3 March with artist Claire Davies, The Valley of Lost Things alongside Liam Proudman in the project space

 

 
Events

Going Turkish in Bethnal Green: UK premiere of Benim Varoş Hikayem’s My Suburban Story  @ The Hamlet’s Pop-Up Cinema in Oxford House on 27 Feb

Service No 5,  a series of performances by Adam Linder at South London Gallery at selected dates from 28 Feb to 11 Mar

The Future is a Collective Project with Suzanne Treister at SPACE on 28 Feb

Novara IRL: MeToo, Now What? at CLF Art Cafe, Bussey Building on 28 Feb

VAT Notice 702: Works of Art with Frederique Pisuisse at changing room on 2 Mar

A Farewell to Progress talk with Rose-Anne Gush, Dorine van Meel, Naomi Tattum and Wail Qasim at South London Gallery on 2 Mar

Rye Wax presents DJ Haram (Discwoman) on 2 Mar

Cuntemporary presents, New Systems: queer and feminist curatorial practice roundtable at the Royal Academy of Arts on 3 Mar

PS/Y Projects: Fiona James and Jessica Wiesner, You Are That Technicality at Flat Time House on 3 Mar

No Symbols #11 w/ LG vs Covco, TSVI vs Wallwork, Beneath and Chloe Frieda at Ormside Projects on 3 Mar

Tenderpixel present, 3049 Clubnight with Scratcha DVA, Logos, Cõvco, patten and Moonbow (SIREN DJs) at Five Miles on 4 Mar

 

Openings

Rob Chavasse, The gallerist at The Sunday Painter, opening 1 Mar and running to 29 Mar

Sophia al-maria, ilysm at Project Native Informant, opening on 1 Mar and running to 21 Apr

Gaby Sahhar and Rosie Grace Ward, Totally Different Animals at Arcadia Missa. opening 2 Mar and running to 29 Mar

Ian Cheng and Sondra Perry at Serpentine Galleries, opening 5 Mar and running to 3 Jun. 

 

AshTreJinkins channels abrasive anxiety on the lo-fi house experimentations of ‘Get Over It’

aqnb, Friday

Netsh questions technological singularity on the hypnogogic IDM of ‘We Are Artificial Intelligences’

aqnb, Thursday

We’re still here: Flexible dub electronics redefine proximity & visibility at the Quiet Time label’s Los Angeles debut

Tuesday

Inside the topsy turvy dreamscape of Ittah Yoda’s abstract universe of Le contour de tes rêves

Monday

Sébastien Forrester pays homage to Gnawa music on the expansive psychedelia & rhythmic drone of ‘Spiral Line’

aqnb, 27 March 2020

Nick Storring’s delicate electroacoustics overcome solitude in the stirring emotion of ‘Tonight There’ll Be No Distance Between Us’

aqnb, 26 March 2020

Safe at home streaming: Here are some initiatives for keeping occupied in self-isolation from across our community

26 March 2020

Waiting to exhale: Beijing’s S/ash collective share ‘Body Building Exercise’ along with some insight on life under mass quarantine

24 March 2020

Dismantling the language of monuments & Moscow’s Triumphal Arch with a solo exhibition by Aleksei Taruts

23 March 2020

Oroboro explores duality & anxiety in the disarrayed rhythms & distorted synth inflections on remix of Air Max ’97, ‘3YE’

aqnb, 20 March 2020

Seven Orbits envisions post-rave-induced psychosis on the brutalist rhythmic exercises & sobering textures of ‘Ravevv101’

aqnb, 19 March 2020

Vancouver’s City relives mental collapse with harsh maximalism & dire hypnosis on the combative ambience of ‘Piloted’

aqnb, 16 March 2020

Crystallising connections between the personal & geopolitical in Dean Erdmann’s excavations of the Mojave desert

16 March 2020

Lisbon’s Odete embraces tragic uncertainty with club-ready aggression on the visceral score to natural disorder on ‘YUE’

aqnb, 12 March 2020

Art without artists: Emma Pryde & Willard Klein reimagine our relationship with the past in their joint Dream of the Palace show

Brandon Sward, 10 March 2020