What’s on? AQNB’s weekly list of events + openings around London, Feb 21 – Feb 26

, 21 February 2018
news

Here’s what we have our eye on this week

Calls

Application deadline for the Jerwood/FVU Awards 2019: ‘Going, Gone’ by  11 Apr

 

Events

Living Radically: Film screening and roundtable discussion at 198 Contemporary Arts & Learning on 22 Feb

Working Nights: Dr Chris Harvey and Caroline Heron  is the second event as part of Martin Kohout’s exhibition, Daylight Management at Auto Italia on 22 Feb

Pipe & Sons: A performance by Amelia Barratt at Assembly Point on 23 Feb

Uniqlo Tate Lates February 2018  on 23 Feb

South by South: Screening of Wùlu (2016)  at South London Gallery on 23 Feb

Mini Oramics: Live Graphic Scores at Camden Arts Centre on 24 Feb

MOON MUST ANIMAL FOOD performance by Jenny Moore at Sutton House on 24 Feb

Soundcheck USB at Ormside Projects on 24 Feb

Champagne Bar (line up inc. Soda Plains and Linda Lee) at The Alibi on 24 Feb

BermondZINES, a DIY zine festival from South-East London at DIY Space on 25 Feb

Ilona Sagar, Correspondence O: Panel Discussion w/Lisa Curtice, Owen Hatherley and Ilona Sagar at South London Gallery on 25 Feb

 

Openings

Erica Scourti, Spill Sections at StudioRCA on 22 Feb

Post-Soviet Visions: image and identity in the new Eastern Europe at Calvert 22  w/after party at ACE Hotel on 22 Feb

Fragmented, reformulated, multifaceted: The ever-shifting body online & its means of articulation in ‘meet space’ for Les Urbaines

Jared Davis, 18 December 2018

“Sell-out” isn’t such a dirty word anymore: On the effects of corporate & institutional co-optation within counterculture at the ‘Assimilation Politics’ roundtable

aqnb, Monday

Brisbane’s Ditchdog echoes into an abyss of slow drones & indecipherability for ‘This One Won’t Do’ out on Intruder Alert

aqnb, Friday

Shayu ‘Int. Carma’ is an ornate weave of inspirations across classical piano, a trip to China & early 20th century Russian ballet

Thursday

Open pores of perception: Britta Thie on commerce, individuals & self-presentation in a drag-and-drop from the mall to the museum

Yves Decline, Wednesday

“It just takes a second, it’s done.” Nazar’s Enclave conjures the reality of war in its cut & thrust update on Angolan & Portugese kuduro

Steph Kretowicz, 11 December 2018

“There’s no better time to exploit an oral fixation.” New poetry by Gabby Bess

10 December 2018

Exploring the body unconscious through VR in Mélodie Mousset’s HanaHana: Full Bloom with Treti Galaxie

7 December 2018

A view from Junk Bay: Alexmalism rummages through the sonic landfill of consumerism, colonialism & deterritorialisation in TKO

aqnb, 7 December 2018

Honami Higuchi finds catharsis from traumatic experiences in the body-performance of Torque as Mira with Raphael Leray

6 December 2018

A pheromone encounter with the Chemical Charm exhibition at Silicon IVIalley

6 December 2018

Future forward: Ashley Holmes on the language of things to exist within & Black radio as a way to document culture

3 December 2018

Makeda’s ‘Me, First’ traces the colonial histories of Australia & the UK through her own faded ties to an unfamiliar Afro-Caribbean heritage

aqnb, 29 November 2018

“My body’s unglued.” Tendryl invokes a slow melt of liquified space in a post-truth moment for the club, noise & trap of Knaves

aqnb, 29 November 2018

Kneading through the collaborative work of Corinna Helenelund & Lukas Q Hoffmann at Titanik, Turku

28 November 2018