Exhuming + excavating the Infinite Mine remix EP by N-A-R-C, featuring Mobilegirl + more, ahead of their upcoming album release

, 1 September 2017

Infinite Mine is an album about intimacy and the exploration of relationships, both to oneself and to others. To infinitely mine is the process of digging to one’s core, drilling for something valuable in the hopes of extracting something of worth,” says multimedia artist Pepi Ginsberg, one half of N-A-R-C, along with producer/composer Martin Crane, who are today releasing the Infinite Mine Remix EP via their own Inscape Records, ahead of the LP release on September 15 .

Courtesy N-A-R-C. Photo: Josefine Seifert

The EP features three of their recent singles, re-worked and brought into new light through collaboration with four great producers: ‘Watch Her Dance’ by Mobilegirl and Sporting Life, ‘Game Bae’ by Kassett and ‘Faded’ care of Lockbox.

The New York-based duo, named after Ginsberg’s NewAgeRealChange handle, started working together in film before realising their collaborative crossover with the N-A-R-C music video ‘Watch Her Dance,’ starring Cheeky Ma. Debuting their exploration into the art-pop genre, the EP dissects intimacy, sexuality, power and love through the lens of fluidity and complexity. Embodying the changing nature of personhood, the tracks have been described as “hi-fi, emotionally raw, and sonically dexterous.”**

N-A-R-C’s Infinite Mine album is out via Inscape Records on September 15, 2017.

Visual poems & playful debris in a show by artist duo Biitsi at Helsinki’s Outo olo

28 September 2020

Helica’s ‘Ravenfield’ challenges perceptions of the serene across recorded footage & landscape paintings


Ghosts, miasma & mood: talking collective belief & spectral presence with Ewa Awe in the lead up to AQNB x 3hd 2020: Hyperobjectivity in London


Tracing Pain: Geo Wyeth on reconsidering the body’s relationship to the world during pandemic & protest on AQNB’s Artist Statement podcast


Exploring a blooming forest environment with the offsite paintings & sculptures of Maren Karlson

21 September 2020

Cairo’s irsh debuts new compilation format with the obscure & granular ambience of Kareem Lotfy’s ‘Molten Tactics’

aqnb, 18 September 2020

The funky house of Maria Minerva’s “Down Low (Motor City You Make Me Wanna)” marks an exciting return from a six-year solo hiatus

aqnb, 16 September 2020

Sophie Serber picks at the scab of an unidentified psychological trigger for her “nauseous, squeamish & horny” show at Vienna’s Shore

11 September 2020

Ivy’s ‘sa lina’ captures the melancholy of club-unreadiness in the wilting emotions & heavy feelings their debut on SPA Recordings

aqnb, 11 September 2020

Tyler Matthew Oyer’s ‘NO TEMPLE’ rearranges & reimagines the sacred body as one that transcends the limitations of convention

10 September 2020

Glitching the Self: Legacy Russell discusses blackness, queerness & digital imaginaries in the latest episode of AQNB’s Artist Statement podcast

9 September 2020

Exploring the earth as a body & synthetic sculptural forms in Natalia Janula’s Great Salt Lake offsite show

7 September 2020

Nick León enlists Lila Tirando a Violeta for ‘Luna Y Sol’ & its topography of drums & earthy samples as part of kebrada’s Latin American compilation

aqnb, 4 September 2020

Torus’s ambient ‘Chroniko’ rises & falls with the euphoric hope of escape from his A/V collaboration with Mark Prendergast

aqnb, 3 September 2020

Rosaceae’s ‘Empty House’ mourns memories of the familiar in conflict with dominant media hierarchies

2 September 2020