Exhuming + excavating the Infinite Mine remix EP by N-A-R-C, featuring Mobilegirl + more, ahead of their upcoming album release

, 1 September 2017
sound

Infinite Mine is an album about intimacy and the exploration of relationships, both to oneself and to others. To infinitely mine is the process of digging to one’s core, drilling for something valuable in the hopes of extracting something of worth,” says multimedia artist Pepi Ginsberg, one half of N-A-R-C, along with producer/composer Martin Crane, who are today releasing the Infinite Mine Remix EP via their own Inscape Records, ahead of the LP release on September 15 .

Courtesy N-A-R-C. Photo: Josefine Seifert

The EP features three of their recent singles, re-worked and brought into new light through collaboration with four great producers: ‘Watch Her Dance’ by Mobilegirl and Sporting Life, ‘Game Bae’ by Kassett and ‘Faded’ care of Lockbox.

The New York-based duo, named after Ginsberg’s NewAgeRealChange handle, started working together in film before realising their collaborative crossover with the N-A-R-C music video ‘Watch Her Dance,’ starring Cheeky Ma. Debuting their exploration into the art-pop genre, the EP dissects intimacy, sexuality, power and love through the lens of fluidity and complexity. Embodying the changing nature of personhood, the tracks have been described as “hi-fi, emotionally raw, and sonically dexterous.”**

N-A-R-C’s Infinite Mine album is out via Inscape Records on September 15, 2017.

Recreate, record, communicate, propagate: C.A.N.V.A.S.’s Cipher examines coded messages & the hegemony of authorship in music

aqnb, 21 February 2019

Freedom & control: Issues of power, privacy & accountability in our digital lives at the heart of the EU in Strasbourg

Caroline Heron, Wednesday

Brave new worlds: rkss shares a mix & some thoughts on flattening the hierarchy of cultural value in music ahead of Sonic Acts 2019

Tuesday

Tami T traces the endless cycle of dating & disappointment in the thumping electro house of ‘Single Right Now’ via her new label

aqnb, Friday

Cade’s body horror sci-fi supports the sound of inscrutable individual experience in Precious Child’s ‘Beat it Back’

Thursday

Legitimizing knowledge: Christine D’Onofrio traces the tacit links of creative output with rhizomatic archive ‘Intuition Commons’

Human Poney, 12 February 2019

9T Antiope seek out the detrimental effects of negative expectations in an excerpt at the comatose core of Nocebo‘s noise & drone

aqnb, 11 February 2019

DJ Charme’s ‘Mud Pac’ offers a sonic silver lining in its vision of the Antwerp-based producer’s hometown after the apocalypse

aqnb, 8 February 2019

Chaos, computation & sex magick: looking at the enchanted technological present with Nottingham’s Chaos Magic project space

6 February 2019

A correspondence on an impossible space with Jesse Darling’s ‘unsovereign’ form of social thought in The Ballad of Saint Jerome

Kashif Sharma-Patel, 4 February 2019

“You fucked it up.” S POUSETTE delivers a break up message from the margins in her melancholy epic ‘I Don’t Need U’

aqnb, 1 February 2019

Brandon Covington Sam-Sumana talks proactive self-protection, vengeance & rectification in Black pulp fiction for Life is… Grand

Lucy Rose Sollitt, 31 January 2019

Flagalova’s unfinished symphony continues in the ‘Mélodies infinies et non finies’ mix to accompany his La Nuit EP from Paris’ Abîme

aqnb, 31 January 2019

Living materials & the active environment of Josephine Baan’s solo show at KKLB, Beromünster in Switzerland

30 January 2019

r hunter combines spectral electronic music & contemporary club to form a breathless sense of calm in confusion on ‘Vienna Residue’

aqnb, 25 January 2019