Imhoff’s show can be viewed as another iteration; where previous work and architectures of thought are re-used and re-formulated through layered installations that consist a number of source materials, both original and found. The title contextualizes the show within a serial frame, one of many and the same. The press release an accompanying piece of text:
¹ a black line, tasting of metal, cold to the touch the line breaks off into sideways sidetracks, side-thoughts a detour, a discourse appearance: transparent solid slightly yellow (correspond to the standard glass color piece of crodino)
Creating new constellations through arrangement, the work also addresses the “structuring which institutions apply to their collection, the context that determines the value and truth of an object and the architecture as part of this narrative.”
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