A
Clement Valla, '50.159 Saint Barbara' (2015). Detail view. Photo by Sara Scanderebech. Courtesy the artist + Marsèlleria Permanent Exhibition, Milan
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Elena Radice, ‘Free Canon - Controversial Freedom’ (2015). Detail view. Photo by Sara Scanderebech. Courtesy the artist + Marsèlleria Permanent Exhibition, Milan
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Guan Xiao, ‘Cognitive Shape’ (2012). Installation view. Photo by Sara Scanderebech. Courtesy the artist + Marsèlleria Permanent Exhibition, Milan
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Guan Xiao, ‘Cognitive Shape’ (2012). Display View. Photo by Sara Scanderebech. Courtesy the artist + Marsèlleria Permanent Exhibition, Milan
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Luca Pozzi, ‘Làputa Pyramid’ (2017). Detail view. Photo by Sara Scanderebech. Courtesy the artist + Marsèlleria Permanent Exhibition, Milan
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Luca Pozzi, ‘SU Detector’ (2016). Detail view. Photo by Sara Scanderebech. Courtesy the aritst + Marsèlleria Permanent Exhibition, Milan
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Malaxa (Alicia Mersy and Tabita Rezaire), ‘She Power(s)’ (2017). Installation view. Photo by Sara Scanderebech. Courtesy the artists + Marsèlleria Permanent Exhibition, Milan
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Mishka Henner, ‘Astronomical’ (2011). Detail. Photo by Sara Scanderebech. Courtesy the artist + Marsèlleria Permanent Exhibition, Milan
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'NAUTILUS Part 1', (2017). Installation view. Photo by Sara Scanderebech. Courtesy Marsèlleria Permanent Exhibition, Milan
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Clement Valla, '25.120.246 a,b Font' (2015). Installation View. Photo by Sara Scanderebech. Courtesy the artist + Marsèlleria Permanent Exhibition, Mila
K
Luca Pozzi, ‘Làputa Pyramid’ (2017). Installation view. Photo by Sara Scanderebech. Courtesy the artist + Marsèlleria Permanent Exhibition, Milan
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Malaxa (Alicia Mersy and Tabita Rezaire), ‘She Power(s)’ (2017). Detail. Photo by Sara Scanderebech. Courtesy the artists + Marsèlleria, Milan.

Re-shelving the dominant archive in NAUTILUS Part 1 at Milan’s Marsèlleria

, 21 March 2017

The NAUTILUS Part 1 group exhibition at Milan’s Marsèlleria ran from February 8 to March 3, 2017.

NAUTILUS Part 1 (2017). Exhibition view. Photo by Sara Scanderebech. Courtesy Marsèlleria Permanent Exhibition, Milan.

The project features work by Mishka Henner, Malaxa (Alicia Mersy + Tabita Rezaire), Luca Pozzi, Elena Radice, Clement Valla and Guan Xiao, exploring ‘documented culture’ through an installation of video, sound, sculpture, as well as a book and wallpaper.

Inspired by a quote from Twenty Thousand Leagues Under the Sea, curator Zoe De Luca describes the exhibition’s premise as being divided into two topics: “the utopia of the defined archive in digital era” and “the claim of cultures shelved by dominant visual culture.”**

The NAUTILUS Part 1 group exhibition was on at Milan’s Marsèlleria, running February 8 to March 3, 2017.

“Understanding our times.” Qway launches issue 2 of Glimmergate at Marsèlleria, May 3

1 May 2017

The NAUTILUS Part 1 group exhibition at Milan’s Marsèlleria ran from February 8 to March 3, 2017.

NAUTILUS Part 1 (2017). Exhibition view. Photo by Sara Scanderebech. Courtesy Marsèlleria Permanent Exhibition, Milan.

The project features work by Mishka Henner, Malaxa (Alicia Mersy + Tabita Rezaire), Luca Pozzi, Elena Radice, Clement Valla and Guan Xiao, exploring ‘documented culture’ through an installation of video, sound, sculpture, as well as a book and wallpaper.

Inspired by a quote from Twenty Thousand Leagues Under the Sea, curator Zoe De Luca describes the exhibition’s premise as being divided into two topics: “the utopia of the defined archive in digital era” and “the claim of cultures shelved by dominant visual culture.”**

The NAUTILUS Part 1 group exhibition was on at Milan’s Marsèlleria, running February 8 to March 3, 2017.

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