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ASSULA (2016), Exhibition View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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ASSULA (2016), Exhibition View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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ASSULA (2016), Exhibition View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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ASSULA (2016), Exhibition View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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ASSULA (2016), Exhibition View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Invernomuto, Teastas Mor (2008). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano.
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Invernomuto, Teastas Mor (2008). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano.
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Invernomuto, Teastas Mor (2008). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano.
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Delfino Sisto Legnani, Seminato (2016). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano.
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Delfino Sisto Legnani, Seminato (2016). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano.
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Filippo Minelli, Padania Classics (2010). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Filippo Minelli, Padania Classics (2010). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Filippo Minelli, Padania Classics (2010). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Filippo Minelli, Padania Classics (2010). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Filippo Minelli, Padania Classics (2010). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Rachele Maistrello, Once Were Warriors (2015). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Rachele Maistrello, Once Were Warriors (2015). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Rachele Maistrello, Once Were Warriors (2015). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Giovanna Silva, Nightswimming - Discotheques from the 1960s to the Present (2014). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Giovanna Silva, Nightswimming - Discotheques from the 1960s to the Present (2014). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Giovanna Silva, Nightswimming - Discotheques from the 1960s to the Present (2014). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Giovanna Silva, Nightswimming - Discotheques from the 1960s to the Present (2014). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Altrazioni Video, Intervallo (2009). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano.
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Altrazioni Video, Intervallo (2009). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano.
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Nico Vascellari, Autoritratto, HCVV (2014). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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Nico Vascellari, Autoritratto, HCVV (2014). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
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ASSULĀ (2016) exhibition photos

, 1 November 2016
photo

The ASSULĀ group exhibition was on at Milan’s The Workbench International, running from June 7 to July 1, 2016.

Invernomuto, Teastas Mor (2008). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
Invernomuto, Teastas Mor (2008). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano

Curated by Zoe De Luca, the show featured work by Alterazioni Video, Invernomuto, Rachele Maistrello, Filippo Minelli, Giovanna Silva, Delfino Sisto Legnani, and Nico Vascellari.

The title of the exhibition is Latin for ‘fragment’ and highlights some points of view on the interstices of Italian territory, showing how some unforeseen glitches are affecting visual and experiential culture. Through video, photo, drawing, a book, and sculpture, the works follow a stream of consciousness-like path and build on the thoughts that French gardener and writer Gilles Clèment signed in his ‘Manifeste pour le Tiers Paysage’.**

The ASSULĀ group exhibition was on at Milan’s The Workbench International running from June 7 to July 1, 2016.

scroll up for images (26)

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Alterazioni Video Delfino Sisto Legnani Filippo Minelli Giovanna Silva Invernomuto Nico Vascellari Rachele Maistrello The Workbench International
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The ASSULĀ group exhibition was on at Milan’s The Workbench International, running from June 7 to July 1, 2016.

Invernomuto, Teastas Mor (2008). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
Invernomuto, Teastas Mor (2008). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano

Curated by Zoe De Luca, the show featured work by Alterazioni Video, Invernomuto, Rachele Maistrello, Filippo Minelli, Giovanna Silva, Delfino Sisto Legnani, and Nico Vascellari.

The title of the exhibition is Latin for ‘fragment’ and highlights some points of view on the interstices of Italian territory, showing how some unforeseen glitches are affecting visual and experiential culture. Through video, photo, drawing, a book, and sculpture, the works follow a stream of consciousness-like path and build on the thoughts that French gardener and writer Gilles Clèment signed in his ‘Manifeste pour le Tiers Paysage’.**

The ASSULĀ group exhibition was on at Milan’s The Workbench International running from June 7 to July 1, 2016.

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SONIDO CLASSICS festival 2016, Feb 13

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The ASSULĀ group exhibition was on at Milan’s The Workbench International, running from June 7 to July 1, 2016.

Invernomuto, Teastas Mor (2008). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano
Invernomuto, Teastas Mor (2008). Display View. Photo by Matteo Cremonesi. Courtesy of The Workbench, Milano

Curated by Zoe De Luca, the show featured work by Alterazioni Video, Invernomuto, Rachele Maistrello, Filippo Minelli, Giovanna Silva, Delfino Sisto Legnani, and Nico Vascellari.

The title of the exhibition is Latin for ‘fragment’ and highlights some points of view on the interstices of Italian territory, showing how some unforeseen glitches are affecting visual and experiential culture. Through video, photo, drawing, a book, and sculpture, the works follow a stream of consciousness-like path and build on the thoughts that French gardener and writer Gilles Clèment signed in his ‘Manifeste pour le Tiers Paysage’.**

The ASSULĀ group exhibition was on at Milan’s The Workbench International running from June 7 to July 1, 2016.

  share news item
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