The event follows the opening of Sunderland’s Muscle Memory exhibition, running January 18 to March 18, where her uses sculpture, print and sound to explore the production and reproduction of desire in aesthetic strategies of “replication and appropriation”.
Hence, the artists put this viral mutation and proliferation of sorts into practice across their combined practices collectively ‘mutating’ the exhibition in realtime and “inserting traces of their identity, voices, and bodies into the exhibitions feedback loop”.
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