Bread & Roses @ MOMAW, Feb 18 – May 1

, 18 February 2016
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The Bread & Roses: Artists and the Class Divide group exhibition is on a the Museum of Modern Art Warsaw (MOMAW), opening February 18 and running to May 1.

Drawing on philosopher Pierre Bourdieu’s characterisation of the artist as “the dominated part of the dominant class”, the show explores the role and status of the artist within society, as one that exists between privilege and oppression: “We are interested in the process that transforms the existential and institutional figure of the artist into a medium that some use to demonstrate and modify their entanglement in the mechanisms of socio-economic divisions.”

In acknowledging “the tension that characterizes the current political and social conflicts” in Poland and by extension its art world, Bread & Roses aims to interrogate this ambivalence by placing work by Polish artists within an international context.

The exhibition features 30+ Polish and international artists including Iván Argote, Brace Brace, Jesse Darling, Debora Delmar Corp., Andrea Fraser, Christian Jankowski, Magdalena Malinowska, Metahaven, Łukasz Surowiec, Christopher Kulendran Thomas, Andrew Norman Wilson and many more.

See the MOMAW website for details. **

Andrew Norman Wilson, 'Global Mosquito City Proposal' (2015). Install view. Courtesy Chewday's, London.
Andrew Norman Wilson, ‘Global Mosquito City Proposal’ (2015). Install view. Courtesy Chewday’s, London.

Rewind forward: Narratives of a Near Future conference looks at the past, present + future at Genève’s HEAD, Dec 14 – 15

Thursday

The Bread & Roses: Artists and the Class Divide group exhibition is on a the Museum of Modern Art Warsaw (MOMAW), opening February 18 and running to May 1.

Drawing on philosopher Pierre Bourdieu’s characterisation of the artist as “the dominated part of the dominant class”, the show explores the role and status of the artist within society, as one that exists between privilege and oppression: “We are interested in the process that transforms the existential and institutional figure of the artist into a medium that some use to demonstrate and modify their entanglement in the mechanisms of socio-economic divisions.”

In acknowledging “the tension that characterizes the current political and social conflicts” in Poland and by extension its art world, Bread & Roses aims to interrogate this ambivalence by placing work by Polish artists within an international context.

The exhibition features 30+ Polish and international artists including Iván Argote, Brace Brace, Jesse Darling, Debora Delmar Corp., Andrea Fraser, Christian Jankowski, Magdalena Malinowska, Metahaven, Łukasz Surowiec, Christopher Kulendran Thomas, Andrew Norman Wilson and many more.

See the MOMAW website for details. **

Andrew Norman Wilson, 'Global Mosquito City Proposal' (2015). Install view. Courtesy Chewday's, London.
Andrew Norman Wilson, ‘Global Mosquito City Proposal’ (2015). Install view. Courtesy Chewday’s, London.
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Metahaven @ Auto Italia, Oct 4 – Oct 30

4 October 2016

The Bread & Roses: Artists and the Class Divide group exhibition is on a the Museum of Modern Art Warsaw (MOMAW), opening February 18 and running to May 1.

Drawing on philosopher Pierre Bourdieu’s characterisation of the artist as “the dominated part of the dominant class”, the show explores the role and status of the artist within society, as one that exists between privilege and oppression: “We are interested in the process that transforms the existential and institutional figure of the artist into a medium that some use to demonstrate and modify their entanglement in the mechanisms of socio-economic divisions.”

In acknowledging “the tension that characterizes the current political and social conflicts” in Poland and by extension its art world, Bread & Roses aims to interrogate this ambivalence by placing work by Polish artists within an international context.

The exhibition features 30+ Polish and international artists including Iván Argote, Brace Brace, Jesse Darling, Debora Delmar Corp., Andrea Fraser, Christian Jankowski, Magdalena Malinowska, Metahaven, Łukasz Surowiec, Christopher Kulendran Thomas, Andrew Norman Wilson and many more.

See the MOMAW website for details. **

Andrew Norman Wilson, 'Global Mosquito City Proposal' (2015). Install view. Courtesy Chewday's, London.
Andrew Norman Wilson, ‘Global Mosquito City Proposal’ (2015). Install view. Courtesy Chewday’s, London.
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Private Settings @ MOMAW, Sep 25 – Jan 6

24 September 2014

The Bread & Roses: Artists and the Class Divide group exhibition is on a the Museum of Modern Art Warsaw (MOMAW), opening February 18 and running to May 1.

Drawing on philosopher Pierre Bourdieu’s characterisation of the artist as “the dominated part of the dominant class”, the show explores the role and status of the artist within society, as one that exists between privilege and oppression: “We are interested in the process that transforms the existential and institutional figure of the artist into a medium that some use to demonstrate and modify their entanglement in the mechanisms of socio-economic divisions.”

In acknowledging “the tension that characterizes the current political and social conflicts” in Poland and by extension its art world, Bread & Roses aims to interrogate this ambivalence by placing work by Polish artists within an international context.

The exhibition features 30+ Polish and international artists including Iván Argote, Brace Brace, Jesse Darling, Debora Delmar Corp., Andrea Fraser, Christian Jankowski, Magdalena Malinowska, Metahaven, Łukasz Surowiec, Christopher Kulendran Thomas, Andrew Norman Wilson and many more.

See the MOMAW website for details. **

Andrew Norman Wilson, 'Global Mosquito City Proposal' (2015). Install view. Courtesy Chewday's, London.
Andrew Norman Wilson, ‘Global Mosquito City Proposal’ (2015). Install view. Courtesy Chewday’s, London.
  share news item