Lawrence Lek – ‘KI$$’ video

, 4 December 2013
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Mediating one’s image is one thing but translating that into a portrait of your feelings is another. London-based artist Lawrence Lek tackles digital representation of emotion with this video ‘KI$$’, through “3d self-portraits, computer-controlled fabrication and rendered sculpture”.

With its ability to replicate live scenes and in the face of internet hegemony, you could argue that the 3-D printer threatens to “replicate, streamline and standardise” everything but Lek’s speculative sculpture is an attempt at showing that that doesn’t have to be the case.

Here’s blurb to explain how:

“KI$$ revolves around two lovers recording themselves at the moment of touch. Each holds their position, as the other moves around them, photographing them from all angles; when the capture is complete, they change roles. These images are recombined into a three-dimensional digital animation, which is then projected back onto full-size 3d-printed figures. As the film plays, the virtual male and female figures are projected onto their plastic doubles, revolving in an endless loop around the kiss.”

You can see a ‘making of’ over at Dazed Digital and watch the video below. **

Federico Campagna @ RCAfe, May 25

24 May 2016

Mediating one’s image is one thing but translating that into a portrait of your feelings is another. London-based artist Lawrence Lek tackles digital representation of emotion with this video ‘KI$$’, through “3d self-portraits, computer-controlled fabrication and rendered sculpture”.

With its ability to replicate live scenes and in the face of internet hegemony, you could argue that the 3-D printer threatens to “replicate, streamline and standardise” everything but Lek’s speculative sculpture is an attempt at showing that that doesn’t have to be the case.

Here’s blurb to explain how:

“KI$$ revolves around two lovers recording themselves at the moment of touch. Each holds their position, as the other moves around them, photographing them from all angles; when the capture is complete, they change roles. These images are recombined into a three-dimensional digital animation, which is then projected back onto full-size 3d-printed figures. As the film plays, the virtual male and female figures are projected onto their plastic doubles, revolving in an endless loop around the kiss.”

You can see a ‘making of’ over at Dazed Digital and watch the video below. **

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TEXT2SPEECH: Proxy Politics As Withdrawal @ ICA, May 12

11 May 2016

Mediating one’s image is one thing but translating that into a portrait of your feelings is another. London-based artist Lawrence Lek tackles digital representation of emotion with this video ‘KI$$’, through “3d self-portraits, computer-controlled fabrication and rendered sculpture”.

With its ability to replicate live scenes and in the face of internet hegemony, you could argue that the 3-D printer threatens to “replicate, streamline and standardise” everything but Lek’s speculative sculpture is an attempt at showing that that doesn’t have to be the case.

Here’s blurb to explain how:

“KI$$ revolves around two lovers recording themselves at the moment of touch. Each holds their position, as the other moves around them, photographing them from all angles; when the capture is complete, they change roles. These images are recombined into a three-dimensional digital animation, which is then projected back onto full-size 3d-printed figures. As the film plays, the virtual male and female figures are projected onto their plastic doubles, revolving in an endless loop around the kiss.”

You can see a ‘making of’ over at Dazed Digital and watch the video below. **

  share news item