Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
![](https://www.aqnb.com/wp-content/gallery/andreas-nicolas-fischers-generative-art/consume-consume-2013-install-view.jpg)
![](https://www.aqnb.com/wp-content/gallery/andreas-nicolas-fischers-generative-art/engineered-viral-strain-i-2012.jpg)
![](https://www.aqnb.com/wp-content/gallery/andreas-nicolas-fischers-generative-art/engineered-viral-strain-ii-2012.jpg)
![](https://www.aqnb.com/wp-content/gallery/andreas-nicolas-fischers-generative-art/generative-software-process-2012.jpg)
![](https://www.aqnb.com/wp-content/gallery/andreas-nicolas-fischers-generative-art/phantom-progression-2012.jpg)
![](https://www.aqnb.com/wp-content/gallery/andreas-nicolas-fischers-generative-art/untitled-g-ii-2012.jpg)
![](https://www.aqnb.com/wp-content/gallery/andreas-nicolas-fischers-generative-art/AMAC4.jpg)
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Jim Curious
![](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2012/12/JimCurious-Cover-300x199.jpg)
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
‘Napathon’ @ Hack the Barbican
![](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2013/08/napathon-300x154.jpg)
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
‘Penthouse 4C’ @ Barbican
![](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2013/08/Penthouse-4C-300x154.png)
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Dan Hayhurst + Grumbling Fur @ Oslo, Sep 27
![](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2016/09/14124928_10153704153557212_604234389324878496_o-212x300.jpg)
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Open Studios @ YSA, Apr 6
![](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2014/04/yale_open_studios_bk_6481-300x154.jpg)
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Siah Armajani @ Parasol Unit in September
![](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2013/08/Siah-Armajani_NOAA-Bridge-National-Oceanic-Atmospheric-Administration_Seattle_1982-300x154.jpg)
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Thug Entrancer, ‘Ronin’ (2016) video
![](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2016/02/thug-entrancer-ronin-header-300x154.jpg)
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **