In celebrating its one year anniversary, artist-run workspace complex, Enclave, will be hosting Block Party over the weekend starting Friday, June 14 in it’s location in Deptford, South London. In the meantime, they’ve extended their call out for artists to this Friday, May 24, calling for submissions of installation, video, music, performances, curated stalls and anything else you can think of for their Cash & Carry exhibition.
Part fundraiser, part celebration, Block Party‘s aim is to keep Enclave going, an urban action project conceived by artist Anthony Gross and part of an on-going research project “around entropy and social enterprise”. See the Block Party Facebook page for more information. **
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Flesh, hidden histories & homoeroticism in the visceral paintings of Gian Manik
Mikey evokes bucolic landscapes & nostalgia with the lush baroque pop & euphoric trance infusions of ‘Kids’
Heartbreak, dramaturgy & acousmatic music in the performance & installation work of Áslaug Magnúsddóttir & Mia Ghabarou
Camp Visual Splendour: Nichole Fitch & Christopher Adams-Cohen on their kinky ballet about vengeful gay ghosts for AQNB’s Artist Statement podcast
sds debuts a sentimental & electronica-inspired record for Olga Productions, sharing the nostalgic atmospherics of ‘L’omniscient’
Tragedies of the commons: Habib William Kherbeck discusses techno-feudalism, the physicality of digital media & his book STILL DANCING in an interview for TLTRPreß’s The Yap
bod [包家巷] shares a haunting video for new collaborative album, Music Made by Other People, supported by angelicism01
Violence, wolves & the animal as social metaphor in the sculptural installations of Juliette Feck
“When is anything certain?” Rebekah Weikel & Beau Rice chat Interlude Docs & building contextual homes for the orphaned or discarded
GOLIN shares a new collaboration with MZRB on the haunting & upbeat garage of ‘Tagawa 3000’
Daniel Ness explores urgency in remembering past sensations on the melancholic pop of ‘Kiss the Dirt’
Bridget Ferrill & Áslaug Magnúsdóttir continue their discordant collaborations on raucous & ambient atmospherics of ‘Metal Slug Sings’
Post-dramatic ground zero: Ivan Cheng discusses gay vampires, club culture & the queer fiction of his Confidences series in an interview for TLTRPreß’s The Yap
Examining economic disenfranchisement, privileged bodies & new age therapies with PHILTH HAUS’s LYLEX 1.0
sentinel reflects on world-building with memories on the cover art of spools of gossamer, released via unseelie
