Takashi Murakami’s ‘Jellyfish Eyes’ premiered in LA.

, 15 April 2013
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Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

365 – April

1 May 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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Doomed: a biological cartoon!

9 February 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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GCC @ Kraupa-Tuskany Zeidler, Nov 8

4 November 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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Beny Wagner @ Import Projects, Nov 4

4 November 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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Paul Kneale, Holly White & friends @ V22 studios, Oct 25

25 October 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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Chris Marker @ Whitechapel Gallery, Apr 18-Jun 22

8 April 2014

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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Artists’ Film International running Oct 17

15 October 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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‘The Country of the Blind’ @ The Sunday Painter, Sep 19

18 September 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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Jessie Ruins – ‘Laura Is Fading’.

Jessie Ruins - 'Laura is Fading.
12 April 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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DJ Sprinkles – ‘Where Dancefloors Stood Still’.

DJ Sprinkles - 'Where Dancefloors Stood Still'.
15 March 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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X-TRA Spring issue launch @ Maccarone LA, Apr 23

22 April 2016

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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‘Over the Valley’ @ Steve Turner Contemporary

3 July 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

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‘Utopia Project’ open call

29 May 2013

Not to be confused with cult writer Haruki, Takashi Murakami is more the ‘Jeff Koons of contemporary Japanese art’ type. His feature length debut, Jellyfish Eyes, had its international premiere at the Los Angeles County Museum of Art, Monday, April 9, and featured some interesting animated allusions to real life.

The film is set in a small Japanese town where a young boy, Masashi, befriends a series of bizarre computer-generated creatures after moving to a new town. Haven’t we all. See the LACMA website for more details.**

  share news item