Karakuri

, 1 August 2011
news

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

GCC @ Kraupa-Tuskany Zeidler, Nov 8

4 November 2013

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

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Beny Wagner @ Import Projects, Nov 4

4 November 2013

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

  share news item

Paul Kneale, Holly White & friends @ V22 studios, Oct 25

25 October 2013

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

  share news item

Takashi Murakami’s ‘Jellyfish Eyes’ premiered in LA.

Takashi Murakami. 'Jellyfish Eyes'.
15 April 2013

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

  share news item

Jessie Ruins – ‘Laura Is Fading’.

Jessie Ruins - 'Laura is Fading.
12 April 2013

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

  share news item

DJ Sprinkles – ‘Where Dancefloors Stood Still’.

DJ Sprinkles - 'Where Dancefloors Stood Still'.
15 March 2013

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

  share news item

Are Robots Man’s New Best Friend?

9 July 2012

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

  share news item

Robotify.me

10 May 2012

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

  share news item

its got a tank for a face

23 December 2011

Matthew Allard keeps bringing far-away oriental stories to our little homes, and not only through Al Jazeera’s programs. Thank him for uploading his amazing docs & videos onto sharable communities.

His last project comes directly from Osaka diving into one of those ancient but always amazing professions: Karakuri craftsmanship. What?

Filming Hideki Higashino at work (photos via dslrnewsshooter.com)

Karakuri are those automata toys (self-operated machines) that go back to the Edo period  ( 200-300 years) in Japan. Karakuri use nothing more than pulleys and weights to move & perform amazing tasks. Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive.

A field cameraman master who had the privilege to shoot the entire film with the second production model of Sony’s F3, bringing once again his delicate style to one of those great “frame” stories. All worth a few minutes of your time.

  share news item