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John Knight, 'Untitled' + '20:10 (ghost of mankind)' (2017) Installation view + sound piece. Courtesy the artist + As It Stands, Los Angeles.
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John Knight, 'Untitled' (2017) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Minor Threat, 1983 (2017) Installation view. Courtesy the artists + As It Stands, Los Angeles.
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Rebecca R. Peel, 'Beleaguered their own (Blind-Desire)' (2017) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Rebecca R. Peel, 'Civil Liberties Defense Fund' (2017) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Rebecca R. Peel, 'Civil Liberties Defense Fund' (2017) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Rebecca R. Peel, 'Civil Liberties Defense Fund' (2017) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Rebecca R. Peel, 'Civil Liberties Defense Fund' (2017) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Andrew Norman Wilson, 'Reality Models' (2016) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Oa4s, 'Oa4s ii' (2017) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Minor Threat, 1983 (2017) Installation view. Courtesy the artists + As It Stands, Los Angeles.
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Minor Threat, 1983 (2017) Installation view. Courtesy the artists + As It Stands, Los Angeles.
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Oa4s, 'Oa4s ii' (2017) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Oa4s, 'Oa4s ii' (2017) Installation view. Courtesy the artist + As It Stands, Los Angeles.
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Andrew Norman Wilson, 'Reality Models' (2016) Video Still. Courtesy the artist + As It Stands, Los Angeles.
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Compromise in the buying + selling of solidarity for the Minor Threat, 1983 group show at As It Stands LA

, 14 August 2017
photo

The Minor Threat, 1983 group exhibition at Los Angeles’ As It Stands opened June 30 and ran to August 5.

Curated by Flynn A. Casey, the show included works by John Knight, Rebecca R. Peel, Oa4s and Andrew Norman Wilson. The installation brought together a number of mediums, including sound, projection, paintings made of charcoal, enamel, latex and polyurethane, wheatpaste, rugs, ceramic piggybanks and balloons, as well as an HD Video.

The press release includes a short essay by Casey called ‘Compromises,’ which looks at the way “imagery is adopted by affinity groups to create a system of identification” and how, in 2017, “solidarity is often bought and sold.”

The closing party on August 4 featured readings by AQNB contributor Kyle Thomas Hinton, Nour Mobarak and Peel.**

The Minor Threat, 1983 group exhibition was on at Los Angeles’ As It Stands, which ran June 30 to August 5, 2017.

scroll up for images (15)

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'Minor Threat 1983' Andrew Norman Wilson As It Stands John Knight Oa4s Rebecca R. Peel
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news

The Minor Threat, 1983 group exhibition at Los Angeles’ As It Stands opened June 30 and ran to August 5.

Curated by Flynn A. Casey, the show included works by John Knight, Rebecca R. Peel, Oa4s and Andrew Norman Wilson. The installation brought together a number of mediums, including sound, projection, paintings made of charcoal, enamel, latex and polyurethane, wheatpaste, rugs, ceramic piggybanks and balloons, as well as an HD Video.

The press release includes a short essay by Casey called ‘Compromises,’ which looks at the way “imagery is adopted by affinity groups to create a system of identification” and how, in 2017, “solidarity is often bought and sold.”

The closing party on August 4 featured readings by AQNB contributor Kyle Thomas Hinton, Nour Mobarak and Peel.**

The Minor Threat, 1983 group exhibition was on at Los Angeles’ As It Stands, which ran June 30 to August 5, 2017.

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