One plus three tracks per week makes twelve for PHILTH HAUS’s ongoing musical epic of sexual taxonomy that continues with “PNSXL” aqnb, 7 February 2023 sound
Kelora burrows into an expansive lullaby with the ghostly folk & spectral digital artefacts of ‘To Nowhere’ aqnb, 6 February 2023 sound
Jonnine of HTRK’s intoxicating ghost story “Tea For Two (Boo)” languishes at the border between the ordinary & the uncanny 2 February 2023 focus
Olga Productions announces new compilation RUINES with the unrelenting donk euphoria of Antony No Limit’s ‘Laisse-Toi Dériver’ aqnb, 30 January 2023 sound
REIF shares video from Eventide at Julia Stoschek Foundation by artists Fa’ Pawaka & LABOUR 23 January 2023
PHILTH HAUS & Chelsea’s “PROSXL (Radio Edit)” probes taxonomies of queer identity in a brutal collision of consumptive joy aqnb, 10 January 2023 sound
Dread, mourning & alienation in Hannah Rose Stewart & Blackhaine’s ‘MIASMA’ neo-noir A/V performance 9 January 2023 photo
SEBA debuts EP with the tenacious electro-clash & up-tempo pop of ‘TRACE’ aqnb, 22 November 2022 sound
Complex structures & cosmic phenomena in the light sculptures & video mapping of Kévin Bray at Trauma Bar und Kino 7 November 2022 photo
A walk through time: reflecting on ecology & action during Sonic Acts biennial exhibition, one sun after another Matt Dell, 31 October 2022 reviews
Moro La Flor updates alias & debuts surf rock-reggaeton record via NAAFI following hiatus with the video for ‘Golpe De Ola’ 21 October 2022 video
Extractive Commodities: Maryam Monalisa Gharavi & Sam Lavigne discuss Oil News 1989-2020 & OBIT for Sonic Acts 2022 Biennial exhibition Matt Dell, 19 October 2022 interviews
Ecology & temporality: a look ahead at Sonic Acts’ 2022 Biennial exhibition, one sun after another 28 September 2022 focus
IRL euphoria for the terminally online: Namasenda talks live shows & staying independent as a pop artist before Balance / Club Culture Festival 20 September 2022 focus
