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Recent articles
Jonnine of HTRK’s intoxicating ghost story “Tea For Two (Boo)” languishes at the border between the ordinary & the uncanny
Olga Productions announces new compilation RUINES with the unrelenting donk euphoria of Antony No Limit’s ‘Laisse-Toi Dériver’
Willem Feltzer & Rik Laging, ‘Lyves II’ (2023). Courtesy the artists + PLAZA.
PHILTH HAUS & Chelsea’s “PROSXL (Radio Edit)” probes taxonomies of queer identity in a brutal collision of consumptive joy
Dread, mourning & alienation in Hannah Rose Stewart & Blackhaine’s ‘MIASMA’ neo-noir A/V performance
SEBA debuts EP with the tenacious electro-clash & up-tempo pop of ‘TRACE’
Complex structures & cosmic phenomena in the light sculptures & video mapping of Kévin Bray at Trauma Bar und Kino
A walk through time: reflecting on ecology & action during Sonic Acts biennial exhibition, one sun after another
Moro La Flor updates alias & debuts surf rock-reggaeton record via NAAFI following hiatus with the video for ‘Golpe De Ola’
Extractive Commodities: Maryam Monalisa Gharavi & Sam Lavigne discuss Oil News 1989-2020 & OBIT for Sonic Acts 2022 Biennial exhibition
Ecology & temporality: a look ahead at Sonic Acts’ 2022 Biennial exhibition, one sun after another
IRL euphoria for the terminally online: Namasenda talks live shows & staying independent as a pop artist before Balance / Club Culture Festival
Ritual, ceremony & organised chaos: talking collective consciousness & technology with Paraadiso’s TSVI and Seven Orbits ahead of Lunchmeat Festival 2022
Muyeong Kim’s distortion of machinic memory, linear temporalities, & darkness is a soliloquy of the obverse in reverse
