Like what you see? AQNB continues to exist only through the dedication and generosity of the community it promotes. You can help us keep going by way of a monthly subscription to our Patreon.
All funds raised will go directly to editorial commissioning and support our contributors in their excellent work.
Heartbreak, dramaturgy & acousmatic music in the performance & installation work of Áslaug Magnúsddóttir & Mia Ghabarou
Camp Visual Splendour: Nichole Fitch & Christopher Adams-Cohen on their kinky ballet about vengeful gay ghosts for AQNB’s Artist Statement podcast
sds debuts a sentimental & electronica-inspired record for Olga Productions, sharing the nostalgic atmospherics of ‘L’omniscient’
Tragedies of the commons: Habib William Kherbeck discusses techno-feudalism, the physicality of digital media & his book STILL DANCING in an interview for TLTRPreß’s The Yap
bod [包家巷] shares a haunting video for new collaborative album, Music Made by Other People, supported by angelicism01
Violence, wolves & the animal as social metaphor in the sculptural installations of Juliette Feck
“When is anything certain?” Rebekah Weikel & Beau Rice chat Interlude Docs & building contextual homes for the orphaned or discarded
GOLIN shares a new collaboration with MZRB on the haunting & upbeat garage of ‘Tagawa 3000’
Daniel Ness explores urgency in remembering past sensations on the melancholic pop of ‘Kiss the Dirt’
Bridget Ferrill & Áslaug Magnúsdóttir continue their discordant collaborations on raucous & ambient atmospherics of ‘Metal Slug Sings’
Post-dramatic ground zero: Ivan Cheng discusses gay vampires, club culture & the queer fiction of his Confidences series in an interview for TLTRPreß’s The Yap
Examining economic disenfranchisement, privileged bodies & new age therapies with PHILTH HAUS’s LYLEX 1.0
sentinel reflects on world-building with memories on the cover art of spools of gossamer, released via unseelie
Colour through nostalgia: talking sampling, slowing down & the dreamlike escapism of internet-native ambient music with ANIMA ahead of Norbergfestival
Hold them in love: notes on Every Ocean Hughes’ One Big Bag, end-of-life care & resisting a ‘slow death’ under neoliberal capitalism