![Right to left: Feminist Land Art Retreat, 'Heavy Flow Film Poster (Timeless)', 'Heavy Flow Film Poster (EXPLOSIVE)' (2016); Min Yoon, 'Untitled' (2016). Installation view. Courtesy JTT, New York.](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2016/07/DeadLetterOffice_installation_view_13-e1479142403313.jpg)
At the Cliffs of River Rhine @ Oslo10, Nov 17 – Dec 18
![](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2016/11/14902782_1440940912602313_6227460672243109214_o-300x138.jpg)
![Right to left: Feminist Land Art Retreat, 'Heavy Flow Film Poster (Timeless)', 'Heavy Flow Film Poster (EXPLOSIVE)' (2016); Min Yoon, 'Untitled' (2016). Installation view. Courtesy JTT, New York.](https://d23pzp3qb0c2ie.cloudfront.net/wp-content/uploads/2016/07/DeadLetterOffice_installation_view_13-e1479142403313.jpg)
The Being There group exhibition will be on at Vilma Gold, opening June 30 and running July 30.
Alongside a simultaneous solo show by artist Brian Griffiths called Bill & Vilma at Vilma Gold, curator Matt Williams has brought together several artists for what promises to be a strong and bold mix of material and political practices that mostly seem to deal with structures and their building or unbuilding.
Exhibiting artists are Neïl Beloufa, Hannah Black, Eliza Douglas, Klara Liden, Colin Lowe & Roddy Thomson, Stuart Middleton and Avery Singer.
As is often the case with the East London space, there is little by way of information prior to the exhibition opening itself save for a photo of someone tuning a TV that is broadcasting a moment between Sesame Street’s Big Bird and a young woman.
See the Vilma Gold website for (limited) details.**