Aurora Sander

Berlin Art Prize nominees announced

27 October 2016

The nine nominees for the Berlin Art Prize have been announced as of October 23.

Selected from over 600 Berlin-based applicants through a multi-stage process, the following artists will take part in an exhibition covering sculpture, installation, photography, performance and conceptual art, opening November 11:

Lindsay Lawson, Martin John Callanan, Regina de Miguel, Stine Marie JacobsenLotte Meret, Benedikt Partenheimer, Raul Walch, Lauryn YoudenAurora Sander

Three of those mentioned will receive the independent award — which includes a trophy created for the occasion by Berlin-based artist Tomás Saraceno, prize money and a four-week residency in Georgia beginning March 2017 — to be announced at Kühlhaus Berlin on December 10.

The Jury includes curator and art critic Karen Archey, art critic Kito Nedo and artists Emeka Ogboh, Susanne M. Winterling and Ahmet Öğüt.

See the Berlin Art Prize website for details.**

Lindsay Lawson, ‘The Smiling Rock’ (currently in production) feature film., Ccourtesy the artist and Gillmeier Rech, Berlin.
Lindsay Lawson, ‘The Smiling Rock’ (currently in production) feature film. Courtesy the artist and Gillmeier Rech, Berlin.
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Laugh Magazine Issue 2 launch @ LD50, Sep 29

27 September 2016

Laugh Magazine is launching its second issue at London’s LD50 on September 29.

The new edition features work by Catherine Biocca, who recently took part in a two-person exhibition at Beijing’s I: project space last April, Aurora Sander, Geo Wyeth, and Joey Holder, who was one of five artists selected for the ‘Platform 2016’ programme of the Deptford X Festival.

Liv Wynter and Emily Pope will each perform the night of the launch. The evening includes video and installations with an after party at The Victoria in Dalston, which includes music from Poppy Tibbs and PUSSY MAFIA.

See the FB event page for more details.**

LAUGH Magazine Issue 2 Launch + Show @ LD 50, Sep 29

Image courtesy of Laugh Magazine.

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3hd Festival, Dec 2 – 5 new announcement

9 November 2015

The 3hd Festival has announced more participants in their inaugural events programme under the theme of ‘The Labor of Sound in a World of Debt’, running at various Berlin locations from December 2 to 5.

Launched by the event series Creamcake and curated by Daniela Seitz and Anja Weigl, the festival is devoted to artists, performers, musicians, academics, and journalists who examine “the labor of sound” and question both its cultural causes and its social consequences.

Among the many new events recently announced are Parisian composer Oklou and Berlin composer Soda Plains at OHM Gallery on December 3, Berlin artist duo Aurora Sander and London-based cellist Oliver Coates at HAU on December 4, and London producer Nkisi and Berlin producer DJ Paypal at Südblock on December 5.

See the 3hd festival for details. **

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3hd Festival lineup announcement #1

15 October 2015

“Hybrid project” 3hd Festival has announced its first batch of participants in its “label – magazine – festival” programme, to run online over the coming months and culminating in an IRL lineup of presentations and performance across venues in Berlin, running December 2 to 5.

The event series is a first for party organisers Creamcake, running since 2011, who have invited a number of artists, academics, designers, journalists, and curators from around the world to examine “what the labor of sound is today, what it’s cultural causes and consequences are, and how it might make it’s way forward in a world where individuals and cultures live within systems upon systems of debt.”

The event will open with an exhibition under the festival theme, The Labor of Sound in a World of Debt, followed by presentations by the likes of journalist and academic Adam Harper, and graphic designer and JACK댄스 organiser Simon Whybray, as well as a music video premiere and live performances from Easter and Lonely Boys. There’ll be performances by LXV and Soda Plains, stage design by art collective Aurora Sander, and appearances by Colin Self, Danny L Harle, and Nkisi.

There are more to be announced, as well as essays, interviews, mixtapes, and exclusive tracks to become available online, so stay tuned.

See 3hd Facebook event page for details.**

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X is Y @ Sandy Brown reviewed

2 April 2015

A play on art ascribed by chromosomes, group exhibition X is Y –running at Berlin’s Sandy Brown from March 6 to April 18 –provokes, “tell us again how women are free”. Ella Plevin is the author of said quote, taken from a text that comes with the room sheet noting the show’s Richard Kern short-film namesake, challenges gendered identity, questions ideas of ‘radical femininity’ as constructed by men and mentions that women haven’t always had control over their own bodies “(we still don’t btw)”. Hence, “A mop, a selfie, white goods, a diss, #heelconcept, an attitude, hair clips, pastels, sentiment.” It’s a list of words that are not only the object-ingredients of this group show taking its name from Kern’s three-minute 90s art porn, but it represents the work of seven artists (and one other group exhibition) that “both wield and oppose the codes of prescribed femininity”.

X is Y (2015). Exhibition view. Courtesy Sandy Brown, Berlin.
X is Y (2015). Exhibition view. Courtesy Sandy Brown, Berlin.

Nearest the entrance of the single-room exhibition space Daphne Ahler’s ‘hair clips’ (2014) are propped on the edge of a heater. The two fragile aluminium sculptures are irregularly cut out and look as if they’re the property of a large baby doll. A pair of neon-coloured wooden shoes with brushes attached to the sole are on display in a glass box, half filled with soapy water. It’s held up with the help of four coloured mops elevated from the ground and called ‘Aircleaninglady’ (2015) by its Norwegian duo creator Aurora Sander known for creating narratives using sculptures and mechanic objects.

The most arresting part of X is Y is undoubtedly Anna Uddenberg’s life-sized hyperreal sculpture ‘Jealous Jasmine’ (2014). With one leg bent almost uncannily high up in the air, a long haired human figure bends aggressively over a pram, grabbing it with both hands and lifting the front wheels from the ground. The faceless pastel-coloured cyborg is dressed in what looks like a future fighter’s outfit from a computer game, plus beige-y winter puff-jacket. Another sculpture by Uddenberg, ‘Nude Heart Spinning’ (2014) was first shown in Stockholm nightclub Vårbergs Dansservise slowly rotating like a disco ball. Here it hangs cracked and on silver chains in a far corner and leaves a question mark on what left poor Jasmine jealous.

Lindsay Lawson, Sally's (2009). Install view. Courtesy Sandy Brown, Berlin.
Lindsay Lawson, Sally’s (2009). Install view. Courtesy Sandy Brown, Berlin.

Flora Klein’s vibrant swirls don’t attempt an answer in her ‘Untitled’ (2014) paint on canvas but Juliette Bonneviot perhaps suggests a preventative measure in the contraceptive pill and aspirin in epoxy resin that make up part of her textured ‘Xenoestrogens Grey #2’ (2015) pastel colour theme. Daiga Grantina’s crumpled silver clash of materials, near to Uddenberg’s spinning heart is the second in anatomical signifiers with its respiratory reference of ‘Pneum’ (2015) lying flat an flaccid on the ground. The sculpture is sprayed with metallic paint while Kirsten Pieroth’s readymade tumbler of a clothes dryer called ‘Oracle’ (2014) lies aslant and open to reveal an inside spattered with pigment that no doubt took a turn in the process.

A framed publication from another pointedly all-woman exhibition hangs on opposite walls, held at Atelierhof Kreuzberg in 2009, the show featured friends and artists that counted Petra Cortright, Aleksandra Domanović, Dena Yago and fellow X is Y contributor Bonneviot among them. A light-hearted response to an earlier all-man show called Larry’s and followed by an all-gay group called Garry’s, the six-years-old publication features a pile of pages pressed behind glass and showing the artists working, taking a shower and forming a human pyramid, all dressed in the same white t-shirts and denim shorts. The presence of such scenes on either wall of the Sandy Brown gallery is discomfiting to say the least. They’re a timely reminder that times have changed but the issues remain the same. **

The X is Y group exhibition is on at Berlin’s Sandy Brown, running from March 6 to April 18, 2015.

Header image: X is Y (2015). Exhibition view. Courtesy Sandy Brown, Berlin.

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