New Scenario

Paul Barsch + Tilman Hornig, Episode 4: Bathroom (2015) documentation

1 June 2016

Episode 4: Bathroom, curated by Dorota Gawęda and Eglė Kulbokaitė, brought together artists Paul Barsch and Tilman Hornig at Münchenstein’s OSLO1O in Switzerland, which ran from November 25, 2015, to January 25, 2016. Under the topic of ‘Bathroom’, devised by “post-gender avatar” and curator Agatha Valkyrie Ice, the project was the fourth of 10 in Ai’s curatorial concept following MTV Cribs.

The collaborative installation is loosely associated with Chapter 7: ANUS of their online project Body Holes, produced by digital exhibition platform New Scenario and launching on June 3 as part of the Berlin 9th Berlin Biennale. The project features Michele Gabriele, Jesse Darling, Mikkel Carl, and Sandra Vaka Olsen.

Moving through the different rooms of Ai house, beginning at the entrance, through the corridors and into further rooms, the 10 episodes host a [sci-fi IRL] story constructed over two years.

Paul Barsch + Tilman Hornig, Episode 4: Bathroom (2015). Exhibition view. Courtesy the artists + OSLO1O, Münchenstein.
Paul Barsch + Tilman Hornig, Episode 4: Bathroom (2015). Exhibition view. Courtesy the artists + OSLO1O, Münchenstein.

Four toilets are placed haphazardly around the space. Each titled ‘Toilet Piece’ (2015), the artists describe the medium as “Sanitary Ceramics” and each have been cleanly painted with pigment made to look like graffiti. Hanging above are the three ‘Garlic Piece’ series (2015), made of allium sativum (see: garlic) and bast fiber (also a part of the plant), hung on steel. In the adjacent room, ‘Wall piece’ (2015) takes up the majority of the space and is made using nitro-combination lacquer. The graffiti presents opposite the isolated and minimal ‘Soap/Sink Piece’ (2015).

Accompanying the sculptural assemblage is a written script that expands on the concept through words:

“Hanako-san, Ai realise the first organ to suffer privatization, removal from the social field, was the anus. Ai hole is a positive particle before Ai is the absence of a negatively charged electron, and the movement of electrons toward the positive terminal is also a flow of holes streaming back the other way. Immerse Aiself in a field of anuses, and a collection of small holes and tiny ulcerations: Ai heterogeneous elements compose the multiplicity of symbiosis and becoming. Holes are charged particles running in reverse. Holes are not the absence of particles but particles traveling faster than the speed of light. Ai realise that the anus is that center of production of pleasure. Ai is closely related to the mouth and hand, which are also organs strongly controlled by the sexopolitical campaign against masturbation and homosexuality in the nineteenth century. The anus has no gender.”**

Exhibition photos, top right.

Paul Barsch + Tilman Hornig’s Episode 4: Bathroom was on at Münchenstein’s OSLO10, running November 24 to January 25, 2015-2016.

Header image: Paul Barsch + Tilman Hornig, ‘Toilet Piece’ (2015). Detail. Courtesy the artists + OSLO1O.

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New Scenario @ Temporary Gallery, Feb 22

22 February 2016

Berlin-based artists Paul Barsch and Tilman Hornig will present a talk on their digital platform, New Scenario at Cologne’s Temporary Gallery on February 22.

The event text captures a snippet of an interview between New Scenario and Temporary Gallery and discussing dealing better with ways of presenting exhibitions online. They point out that many online spaces, or shows presented outside of the white cube often fail to address their specific conditions and formats: “They end up as (often poorly done) online documentations”.

According to the text, for the talk on the 22nd New Scenario will discuss the shift from documentation to image production and “how important it is to overcome one’s own taste”.

See Temporary Gallery’s webpage for more details**

 

Tilman Hornig @ C R A S H (2015). Install view. Photo by Stefan Haehnel. Courtesy New Scenario.
Tilman Hornig @ C R A S H (2015). Install view. Courtesy New Scenario.

 

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Episode 4: Bathroom @ Oslo10, Nov 24

24 November 2015

Dynamic and performative time-based exhibition platform New Scenario and “post-gender avatar” Agatha Valkyrie Ice are presenting the Episode 4: Bathroom installation at Münchenstein, Switzerland’s Oslo10 on November 24.

The event features artists Mikkel Carl, Jesse Darling, Michele Gabriele and Sandra Vaka Olsen, and appears as part of the Body Holes project Chapter 7: ANUS, along with a screening by Daniel Iinatti.

Episode 4: Bathroom comes with little additional information aside from a text with its focus on the digestive tract, including an excerpt that goes as follows:

“…Ai is closely related to the mouth and hand, which are also organs strongly controlled by the sexopolitical campaign against masturbation and homosexuality in the nineteenth century. The anus has no gender.”

See the Oslo10 website for details.**

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JURASSIC PAINT (2015) exhibition photos

18 September 2015

If you wait for something long enough it’ll come back in style, and dinosaurs are coming back with a vengeance of all things though extinct. Jurassic Paint, the second online show by New Scenario, went live on their website in early June. The group exhibition, shot in the forest of Saurierpark Kleinwelka, a dinosaur park filled with life-size dinosaur models, combines “two prehistoric yet resilient species” for a collection of canvas works from eleven visual artists. 

New Scenario, founded by artists Paul Barsch and Tilman Hornig in late 2014, is a dynamic platform for conceptual, time-based and performative exhibition formats “that happen outside the real of the white cube”. With Jurassic Paint, Barsch and Hornig invite the participants to combine painting as a “creative act of the imagination” with the construction of the dinosaurs, whose likeness “emerges from fanciful and narrative processes of the human and scientific mind”. The canvas works and the dinosaurs share, as the exhibition’s press release identifies, the same ‘Lebensraum’ or living space, creating a new scenario.

Iain Ball, '(res) terbium series 3' (2015) Install view.
Iain Ball, ‘(res) terbium series 3’ (2015) Install view.

The eleven visual artists have all been asked to create a dinosaur likeness, with Zoe Barcza creating a Plateosaurus titled ‘Shred IV’, Ann Hirsch offering an Anatosaurus titled ‘My Starving Public 1998’, and Tom Davis creating a Campsognathus titled ‘Ovid-Acteaon’. The remaining artists include Scott Gelber with a Diplodocus hallorum titled ‘RothkoNetflix1’, Sayre Gomez with a Antrodemus titled ‘Thief Painting in Violet’, Martin Mannig with a Heterodontosaurus tucki titled ‘Psycho’ and Jaakko Pallasvuo with a Ornitholestes hermanni titled ‘Amusement Park’. There’s also Anselm Ruderisch‘s  Polacanthus titled ‘Voyager1’, Joshua Abelow with a Triceratops prorsus titled ‘Untitled (Witch)’, and Iain Ball with a Triceratops horridus titled ‘(res) terbium series 3’. Hornig and Barsch also contributed pieces to the exhibition with, respectively, a Ceratosaurus nasicornis titled ‘Stop Aids redux’ and a Tyrannosaurus rex titled ‘O. K.’s Time Travels (Back to the Future)’, accompanied by written contributions from Johannes Thumfart and Hendrik Niefeld. **

Exhibition photos, top right.

Jurassic Paint group exhibition went live at newscenario.net on June 11, 2015.

Header image: Zoe Barcza, ‘Shred IV’ (2014). Install view. Courtesy the artist.

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C R A S H (2015) @ New Scenario exhibition photos

6 February 2015

Installed in a Hummer limo but exhibited on the internet, the C R A S H group exhibition is the image of rupture. Or make that several images, as the show – curated by artists and New Scenario founders Paul Barsch and Tilman Hornig, along with Burkhard Beschow – presents a body horror of cybernetic objects and synthetic organisms sharing a place in fragments at a point of temporal rift.

Launched on January 17 and featuring the work of 11 artists, each image comes from the one luxury car interior but its object is viewed only in isolation at any given time. The empty space becomes animated as you select an artist’s name, like a point-and-click adventure game of grotesque hidden artefacts, from Hornig’s nylon-limbs stretched out across a leather couch to Barsch’s disembodied hairpiece, dreadlocked and dangling from the sunroof.

Tilman Hornig @ C R A S H (2015). Install view. Photo by Stefan Haehnel. Courtesy New Scenario.
Tilman Hornig @ C R A S H (2015). Install view. Photo by Stefan Haehnel. Courtesy New Scenario.

Inspired by David Cronenberg’s Cosmopolis and Chris Cunningham’s ‘Windowlicker‘ video for Aphex Twin there’s something chilling about Adam Cruces‘ baguette arm that wears three watches in the speaker compartment and Thomas Payne’s plastic pack of oversized synthetic slaters. It’s place in the driver’s cupholder implying it’s there to be eaten.

This is a backdrop of obscene wealth and mediated overstimulation, where the Hummer limousine comes already loaded with a contextual meaning that a white cube – whether online or off – consciously, but possibly even more artificially attempts to avoid. Thus these actors and their stage in the total cinematic experience of C R A S H, where the drama of  Zack Davis‘ motionless glass barnacle stuck to the screen of a simulated fireplace plays out in a different dimension of the same space as Anne Fellner‘s painting of a white swan lying limply on its side.

Adam Cruces @ C R A S H (2015). Photo by Stefan Haehnel. Courtesy New Scenario.
Adam Cruces @ C R A S H (2015). Install view. Photo by Stefan Haehnel. Courtesy New Scenario.

An accompanying text by Joseph Hernandez called ‘Observations From the Bucket‘ presents a first-person account of a “coming change” ignored by the family but offering ideas and concepts that are “constant and shattered and reveled within”. The anatomical imagery that mostly travels through the protagonist’s digestive tract is slightly less confronting than d3signbur3au‘s troublingly feminised personification of a capitalism that’s eating itself in ‘for a future IV: but what if we are not alive?‘:

“Blue shit burning in her ass like melting solder… the smell of blue fever fills the air, a rotten metal meat smell that steams off her as she shits a soldering blue phosphorescent excrement”.

A bulbous pink blob, ice cubes expanding into polygonal shapes, a napkin spattered with what looks like blood and a toilet brush encrusted with grime and cigarette butts. All of these individual pieces add up to a production that evokes that same sensuous feeling of ‘venereal horror’ that made Cronenberg famous, J. G. Ballard an icon and our collective view to the future one that’s equal parts frightening and fascinating. **

Exhibition photos, top right.

New Scenario is a dynamic platform for conceptual, time based and performative exhibition formats. The C R A S H group exhibition launched online on January 17, 2015.

Header image: C R A S H (2015). Exhibition view. Photo by Stefan Haehnel. Courtesy newscenario.net.

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