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<em>At This Stage</em> (2017). Exhibition view. Photo by Elon Schoenholz. Courtesy the artist + Château Shatto, Los Angeles.
Aria Dean, 'Dead Zone (1)' (2017). Detail. Photo by Elon Schoenholz. Courtesy the artist + Château Shatto, Los Angeles.
<em>At This Stage</em> (2017). Exhibition view. Photo by Elon Schoenholz. Courtesy the artist + Château Shatto, Los Angeles.
Parker Ito, 'Western Exterminator / Kernel Kleenup / Little Man/ Pesterminator' (2013-2015). Installation view. Photo by Elon Schoenholz. Courtesy the artist + Château Shatto, Los Angeles.
<em>At This Stage</em> (2017). Exhibition view. Photo by Elon Schoenholz. Courtesy the artist + Château Shatto, Los Angeles.
<em>At This Stage</em> (2017). Exhibition view. Photo by Elon Schoenholz. Courtesy the artist + Château Shatto, Los Angeles.
<em>At This Stage</em> (2017). Exhibition view. Photo by Elon Schoenholz. Courtesy the artist + Château Shatto, Los Angeles.
<em>At This Stage</em> (2017). Exhibition view. Photo by Elon Schoenholz. Courtesy the artist + Château Shatto, Los Angeles.
over-the-valley-installation-view-steve-turner-contemporary-july-2013
metahaven-wikileaks-requiem-scarves-2013-digital-print-on-silk-47-x-47-inches-each-detail
metahaven-iconic-drift-cyber-cold-war-2013-wallpaper-dimensions-variable
metahaven-iconic-drift-2013-wallpaper-dimensions-variable
Katja Novitskova, \'Curiosity and Opportunity-Next Best Thing To Being There\' (2012). Online panorama app for mobile and desktop browsers, Dimensions variable
Goldin+Senneby, \'After Microsoft\' (2007). Projected digital image with audio, Dimensions variable
Electronic Disturbance Theatre, The Transborder Immigrant Tool, 2007. Motorola cell phone and walkingtools.net software. (detail)
Electronic Disturbance Theatre, \'The Transborder Immigrant Tool\' (2007). Motorola cell phone and walkingtools.net software
Andrew Norman Wilson, \'The Inland Printer - 152\' (2012). Archival pigment print, painted frame, aluminum composite material, 9.5 x 13 in
Andrew Norman Wilson, \'Simon Newcomb 10\' (2012). Archival pigment print, painted frame, aluminum composite material, 9 x 14 inches
Andrew Norman Wilson, \'ScanOps\' (2012). Archival prints mounted on aluminum in artist-painted frames, Install view
Marathon 1

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