Maybe Valerie has seen The Shining far too many times, probably The Omen (the original one) or even The Exorcist; the thing is her young characters always seem to be in rather macabre situations…
Well, the young, and the not so young.
Valerie Patterson brings staggering watercolors straight out of Saranac Lake (New York) bordering and playing with the most disturbing situations humans could live. Apparently her works chronicle her life (somehow) but also the world we all live in.
Besides portraying babies with voodoo dolls or the 9/11 aftermath, Valerie brings the very essence of New York (and big part of America consequently) on her surrealistic series, but only on her free time of course. More info & even downloadable images on her personal website.
Burra is without any doubts one the UK’s watercolour masters, but at the same time one of those magnificent Brit painters often written out of the story of 20th-century art. Tate hasn’t done a a retrospective of his works since 1973 but a few of his best pieces like this carnivalesque representation of the war horrors can be seen at the current “Watercolour” exhibition @ Tate Britain (until August 21st).
We’re not that big fans of the exhibition as a whole (and won’t criticize it because we’re not here for that) but there are some amazing pieces from the colonial scientific exploration (Sydney Parkinson’s plant drawings…) or the XX century war coverage (the nasty but precise facial disfigurements) that you’re only able to see when Tate decides to pull them out of their drawers… and that’s once each 3 decades so….
But going back to Mr Burra… the half surrealist – half modernist, half painter – half-costume designer deserves another retrospective @ Tate, because it’s been nearly 40 years since London really paid attention to his works, just before dying in 1976.
He never found a place in the contemporary British art history, maybe because he travelled too far away? or because he flirted too much with the urban underground rather than contemplating the landscape? or simply… because he preferred watercolour to oil..?
In any case, while you can see many of his works on-line thanks to the wonders of technology & the courtesy of the Tate Collection, and while we wait for another dedicated exhibition @ Tate (it’s about time Mss Curtis….), maybe you should consider paying those 11£ for a bit of gum arabic + gouache + vellum surprises, and some of Burra’s best pieces.
If Michelle Morin had been born in the 18-19th century when all those British scientists used to patiently paint all those new species of plants, lichens, animals, insects… she probably would have been named a royal illustrator…