Rosa von Praunheim

Dirty Looks @ Tom of Finland Foundation, Oct 14

14 October 2015

New York’s Dirty Looks is hosting A film screening event, It is not the Homosexual who is Perverse but the Society in which She Lives is at Los Angeles’ Tom of Finland Foundation on October 14.

There will be two seminal documentary films showing, directed by Rosa von Praunheim and Carole Roussopoulos, with von Praunheim’s ‘Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt’ (1971) lending its German title to the LA event’s English translation. The former presents the “varied gay scenes of Berlin with a keen and provocative eye” with “the amusing English-language voice-over himself that’s as searing as it is hilarious.”

Roussopoulos’s ‘Le F.H.A.R’ (1971), meanwhile, shows social and political issues of gay France of the day with “captures of a set of political discussions that would become one of the first manifestations of what we now call queer theory and politics.”

See the Dirty Looks event page for details.**

Rosa von Praunheim, 'Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt' (1971).
Rosa von Praunheim, ‘Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt’ (1971).
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Anarchic sexual desires…@ P/N, Jul 10 – Aug 10

8 July 2015

Project/Number launches a new group exhibition titled Anarchic sexual desires of plain unmarried schoolteachers, running at their London space from July 10 to August 10.

The exhibition, curated by writer/editor/curator Chris McCormack, brings together the works of six different artists—Charlotte Prodger, Rosa von Praunheim, Sofia Hultén, Terence McCormack, Irene Revell presenting HOMOCULT, and Joyce Wieland—as well as a publication featuring writing from close to twenty different writers, including I Love Dick‘s Chris Kraus and Jaki Irvine.

The theme of the exhibition and publication (which take their name from a line by Elizabeth Hardwick) continues what contributor Bruce Boone began in his short text, My Walk with Bob, formative in defining New Narrative writing—its characteristic wandering prose, and its “queer aesthetic of dissident erotic and emotional possibilities”.

See the P/N website for details. **

Chris Kraus, Gravity and Grace (1996). Film Still.
Chris Kraus, Gravity and Grace (1996). Film still.
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