I Feel Love

I Feel love (2014) @ Hayward Gallery recording

26 August 2014

Anna Barham, the organiser behind the Donna Summer-inspired live production reading group I Feel Love, has released the recordings from the Hayward Gallery event and they sound like love.

The August 14 event had 30+ participants alternate reading lyrics to Summer’s classic song I Feel Love as part of Hayward Gallery’s group exhibition What’s Love Got To Do With It. While the first three people read the song’s lyrics straight through, the fourth was asked to recite a speech-to-text interpretation of the first person’s reading (generated by a speech recognition software), while the fifth  read an interpretation of the second’s, and so on.

The results are amusing; while some opt for dramatic, staccato readings, others take a playful approach, poking fun at the meaningless disco drone of the lyrics. Regardless of style, however, the lyrics are transformed through repeated readings and human-to-computer translation, exploring the “endless chain of subtly displaced meanings and altered utterances” in popular culture.

And though the 25-minute audio shows that little more than a good idea is needed to make a profound point, Barham will be expanding on the event, using the recording as inspiration for a piece of work in the future. **

The I Feel Love live production reading group was held at London’s Hayward Gallery on August 14, 2014.

 

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I Feel Love @ Hayward Gallery, Aug 14

11 August 2014

Southbank Centre is hosting a live production reading group by Anna Barham titled I Feel Love at Hayward Gallery in London on August 14, 7pm.

Lifting lyrics from Donna Summer’s classic hit by the same name, the live production reading group transforms the words through repeated readings and speech-to-text software, playing on the performative aspects of the voice and exploring the human-computer interactions of love.

The effect, which echos childhood games like broken telephone, is that of “an endless chain of subtly displaced meanings and altered utterances” that disrupt our experience of popular culture. Barham’s explanation of I Feel Love is particularly poignant and deserved of duplication:

“The work disrupts our experience of a shared fragment of popular culture and explores the productive slippage between performance and meaning, spoken and written language, human and computer interaction in a live situation. Ultimately, it articulates and disrupts our highly mediated experience of love and the complexities of communicating what we feel and feeling what we communicate.”

Check out Barham’s event trailer on Vimeo and visit the I Feel Love event page for details. **

Screen shot 2014-08-11 at 2.20.41 PM

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