The artists, who have been working collaboratively since 2010, will show three collages made up of photos taken from their car windows and 3D-modelled objects, as well as three sculptures made of mesh guard, foams, and materials like carbon fibre.
The press release for I Dusts curated by Ché Zara Blomfield describes the work as a crash, with materials and remains resembling a “bombed high-tech public relations office”, complete with sculpted human parts. Lutz and Mold’s work extends the metaphor of crash to mash and mesh in their dealing with the internet’s mashup culture driven by a “desire for a forward motion”, whereby they rather aestheticise destruction than the clean and sleek over-tones of much of digital culture.
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