As an artist engaging with technology, queerness, and politics, Blas’ talk will focus on his recent work and writing around the limitations of digital calculation and visualisation of biometric recognition.
Eduoard Gilssant’s writing on opacity and his critique of transparency will present as a major reference point in the artist’s work towards a theory of ‘informatic opacity’, along with his own dystopian installations ‘Face Cages’ and his ‘Facial Weaponisation Suite’ project in thinking of art in technology.
See the FB event page for details.**
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