The Mitte-based venue has been working towards diverse collaborations with a spectrum of creative organisations and artists, since establishing itself in June 2018. This month that focus reaches a new level by featuring the five-year anniversary of Stockholm’s Year0001 label, the inaugural Break It Off presented by Juliana Huxtable and Ziúr, as well the launch of Borshch Magazine‘s ‘Dark Side’ issue, plus other things.
Also featuring contributions from choreographer Ali Heffetz and A/V artists bod [包家巷], Alza54 and Simon Goff, the Mitte-based venue near the Hauptbanhof central train station and government district of Berlin will be transformed. Science fiction narratives derived from the virtual arenas of open video games will be transmitted through the multi-dimensional installation and exhibition that incorporates dance, performance, sound, real-time VR and permaculture.
Opening night will include a three-hour event with eight participants, meeting and engaging in scenes of spontaneous ceremonies and stage-fighting, while the project as a whole will continue to expand and evolve over its eight-week run. Curated by Madalina Stanescu, an accompanying curatorial program will merge exhibition, performance and club space to become a single organism.
Examining the digital age’s supernatural imaginary & occult resurgence in the Paranormal Storytime event presented by AQNB at London’s The Yard Theatre
16 December 2019
Paranormal Storytime, an event presented by AQNB and curated by Jared Davis, is on at London’s The Yard Theatre on Sunday February 16, 2020, from 7pm.
Taking its title from a phenomenon of supernatural stories shared by YouTube vloggers, Paranormal Storytime looks at the digital age’s occult resurgence and neo-gothic tendencies, as well as our fear of the unknown and its relation to technology.
New York-based writer, critic and author of speculative fiction novel OvalElvia Wilk will present a talk, and Cologne-via-Washington D.C producer Swan Meat will perform live, with her new EP soon to be released on Infinite Machine. The evening will also present a screening programme with video works by artists Tianzhuo Chen as well as Wang Newone. Berlin-based artist Tea Stražičić has designed Paranormal Storytime’s poster artwork.
As part of the Mitte-based venue’s progressive and inclusive agenda in unconventional settings, the night follows a series of events crossing disciplines—including dance, fashion, film, video art and, of course, music—since opening mid last year. The show ends 2019 by staying true to the venue’s focus on collaboration, intimacy and community with its programming, where Birmingham-based industrial techno producer Anthony Child (aka Surgeon)’s The Transcendence Orchestra project with Dan Bean of Bleep43 headline. Artist Darren Russell (aka Paddy Shine of Manchester psych band Gnod) joins them, with set design by Theresa Baumgartner.
The night will also include a rare performance from Caterina Barbieri and Carlo Maria Amadio’s Punctum collaboration, which reduces sound to its bare bones and explores abyssal sonic spaces. Club Chai affiliate Thoom will also be there to apply her percussive voice and drone style to a special set that oscillates between themes of vulnerability, playfulness and provocation by using repetition, utterances and song . Meanwhile, sound artist and composer Hatam—who is one half of Hacklander \ Hatam, a member of Labour and co-founder of NK Projekt space—will DJ to close.
LA-based producer Maral shares a ‘Spooky Halloweed’ mix in advance of Weed Rave’s next “stoner extravaganza” happening Oct 25
24 October 2019
Weed Rave‘s Halloweed event is on at a secret Los Angeles location on October 25, with an accompanying mix by local producer Maral premiering on AQNB today. The LA-based party and self-described “stoner extravaganza” champions what it calls the next evolution of nightlife culture centered around cannabis instead of alcohol.
Founded in early 2019 by cannabis and music journalist Michelle Lhooq, Weed Rave’s ‘Halloweed’ party will be headlined by DJ Assault and Bala Club‘s Kamixlo, alongside Kelman Duran, Maral and other stalwarts of LA’s rave scene. The downtown warehouse—which previously housed a cannabis grow-op—will be divided into an uptempo Sativa Room and chillout Indica Room, with a contrast between harsh industrial and spooky ambient sounds.
Maral, who is playing the Indica room, is a staple in LA’s underground and recently released EP Mahur Club, based on Iranian folk music on Astral Plane Recordings. One of the scene’s rising talents, she played at the first Weed Rave back in January as part of an ambient room.
Andy Stott – Execution (maral eraserhead edit) Dj Assault – Return of Terror Tec Dj Trajic – Headbangers 2-(2-3)-(6-3) Aura T-09 & Doubtful Guest – Hardcore Baby Crass – You’ve Got Big Hands (maral edit) Minimal Violence – Persuasive Behavior Julien Andreas – Trust in Filth Kamixlo – Mi Sabor Maral – Someone Said K elman Duran – Life Is Real Chico Sonido – Swang Trappyton (maral edit) Aura T-09 – Brandy & Me Ghorba – Scoby Apprentice Ossia – Dub Hell Maral – Guess I’m Dumb edit Maral – The Empty edit Kelman Duran – Just Jump Off Dj Haram – No Idol Maral – Joonie’s Jam Daniel Bedingfield – Gotta Get Thru This Dj Deeon – R U Sure Dj Nehpets – I Came To Bring The Pain The Screamers – 122 Hours of Fear (Part 1) ?????**
Creamcake announces full line-up for their 3hd Festival program, called “Fluid Wor(l)ds” & inspired by the art of storytelling
10 October 2019
The fifth edition of 3hd Festival is happening across venues in Berlin, running October 22 to 27.
Organized by interdisciplinary platform Creamcake, the program has been presenting artists working at the interface of visual art, music, performance and digital culture since 2015. This year’s theme is called “Fluid Wor(l)ds”, where participants are invited to share how they “navigate, renegotiate and adapt to the shifting realities of networked communication through language, text and narration.”
J Sliwa’s europop & gothic dance excursions soar through the melancholy dream trance of ‘Maternal Immortality’
8 October 2019
J Sliwa is releasing EP Eternal Now via Helsinki’s THRDEYEVSN on October 11, with preview track ‘Maternal Immortality’ premiering on AQNB today. The debut record from the Copenhagen-based duo focusses on the melodic, percussive and bass-heavy aspects of their EDM excursions, which feature elements of the ecstatic europop and gothic dance of other 00s outfits, from Paul van Dyk to t.A.T.u..
The EP follows in the contemporary trend for revisiting trance and rave styles and aeshetics on the underground, along with post-club artists likes of Rui Ho, Sun Angels and Keiska. ‘Maternal Immortality’ is a weighty, high-energy number that soars through cut-up and pitched vocal accents exploring the depths of what it means to be human. A rising synth sweep builds and drops over the cavernous atmospherics and melancholy piano keys that echoes the riff of Robert Miles’ famous ‘Children‘ to produce their own iconic dream trance anthem .**
The New York-based artist, writer and Montez Press Radio crew member self-published the titular full-length collection of poems online on September 16, after the material on a corresponding Instagram account of the same name was banned by the social-networking service. Exploring consent, objectification, censorship, and the erotic, the poems often read carnal with some webspeak and come accompanied by provocative selfies of the artist:
“29 year old mouth 5’4 busty and who are you? horny with a tongue? online? drive?”
Power & paradise: Anne Imhof’s Golden Lion award-winning Faust performance gets an album release on Berlin’s PAN, Sep 13
3 September 2019
Anne Imhof is releasing an album accompaniment to performance and exhibition Faust via Berlin’s PAN off-shoot soundtrack series, Entopia, on September 13.
Described by the press release as “part documentation and part elaboration”, the piece expands on the several-hour long live event and Golden Lion Award winner, presented as part of the 57th Venice Biennale. In an AQNB review of the show in 2017, Hadden Manhattan asked, “Can the latent allusions to fascism implicit within Imhof’s work maintain criticality, or do they encourage a dark public fascination with the totalitarian theatrics of power?”
Imhof’s album collaboration with Eliza Douglas, Billy Bultheel and Franziska Aigner continues the conversation, with one of three anchoring tracks, ‘Queen Song’, premiering through PAN already, which you can listen to below:
This closing concert brings together a spectrum of experimental and progressive sonic and cross-genre live acts to explore its themes of intense transmission between bodies of all kinds, in the tranquil ruins of an inner city monastery. Following the more contemplative and eccentric earlier events, ‘Paradise Found 3’ dials up on its pop inclinations, with Los Angeles-based rising pop star Dorian Electra presenting their futuristic sound and queer satire, along with the wit and humour of London lyricist and DJ Shygirl. Multidisciplinary artist and Quantum Natives artist i.Ruuu, as well DJ and curator of “post-gender avatar” Agatha Valkyrie Ice‘s mixtape series Brooklyn Bridge also take part.
Taking place at the Deptford Church Hall, this event titled Sonic Bodies, Broken Lines, Reversible Time sees Jamila Johnson-Small aka Last Yearz Interesting Negro & Rowdy SS present their work Fury1. The piece features movement and sonic performance, which the artists describe as “Sound and bodies in wordless dialog like light that refracts in the prism of the moving crowd.” The event will also present a screening of Italian artist duo Invernomuto’s filmNegus (2016).
The potential for political organisation and direct action in Creamcake’s Euromall at Goethe Pop Up Minneapolis, June 15 & 16
12 June 2019
Berlin-based music platform Creamcake will be in Minneapolis this weekend to present Euromall with Goethe Pop Up Minneapolis at the city’s Skyways Center & Honey Club running June 15 & 16, 2019.
The premise of the event lies in a “belief in the possibilities of political organisation and direct action” and takes inspiration from Creamcake’s previous Europool series, developed in response to the socio-political upheaval occurring within the European Union of late. With Euromall, Creamcake will place a similar emphasis on progressive action coming out of arts and music communities, “spotlighting grass-roots initiatives, cultural collaborations, and artistic practices” and within that reflect upon the ties that exist between Europe and the United States today.
Through talks and performances, the two-day event will draw together musicians, artists and researchers from the fields of art, law, sociology, politics and media. Euromall will open with a discussion led by sociologist Aleksandra Lakić on recent EU parliamentary elections. Producer FAUNA will provide insight into the “right-wing populist movement of Austria’s FPÖ party and the “Ibiza scandal.”” and AQNB’s Steph Kretowicz will give a specially developed performance exploring “the personal effects of fear, fake-news and new technologies across continents.” Media artist and founder of Centre for Emotional Materiality, Surabhi Saraf will give a sound performance, followed by a night of music at Honey Club, along with Alobhe and DJ Larry.
Image credit: Salim Bayri’s ‘Road to Schengen’. Video still. Image courtesy the artist and Creamcake, Berlin.
Responding to themes of human and non-human relations in a time of climate crisis, the exhibition considers how “humans face the responsibility of acknowledging multispecies entanglements and the need to renegotiate existing interspecies relations.” The show features work by Finnish duo nabbteeri, whose installations incorporate compost and organic waste from the Biennale, as well as a sanctuary for birds among the swarming tourist hub. Norwegian artist Ane Graff creates mineral-like new materialist sculptures that draw from research into scientific disciplines of microbiology and chemistry. Swedish artist Ingela Ihrman uses craft, costume and performance traditions to playfully and “critically analyse culture-nature divisions and to open up the prevailing male and scientific gaze to queer horizons.”
The Nordic Pavilion is a space for collaboration between Finland, Norway and Sweden, with commissioning duties alternating between the three countries with each Biennale. This year’s iteration is commissioned by Kiasma, Finland. The artists will work with the interior and exterior surrounds of the exhibition space, playing with the show’s theme and the way in which the pavilion itself — constructed around large indoor trees and susceptible to external weather factors — is at stake with future climates.**
As part of UNITI’s PLUR (Peace Love UNITI Rave) event series, this spring equinox party will feature live sets from Vancouver’s x/o, Mun Sing (aka Giant Swan’s Harry Wright), UNITI founder Englesia, as well as DJ sets from Eastern Margins Allstars and DJ Pussiephuss. The event is a pairing of two forward-thinking London club initiatives: Eastern Margins, who provide space for East and South-East Asian club musicians, along with UNITI, a platform that foregrounds LGBTQ+, womxn as well as non-binary DJs and producers.
Eastern Margins have compiled a Spotify playlist of some their favourite tracks by the artists performing at the event. Listen to a 2018 track from x/o called ‘Orchid Dream’ below.**
Described as “an experiment in radio broadcasting which plays in the boundaries of conversation, performance, distribution, and access through the lens of contemporary art,” the project is headed by New York, London, and Hamburg-based publisher Montez Press. Their first summer residency program ran July 19 to August 19, 2018, and included the likes of Hard to Read, NYC Trans Oral History Project, Triple Canopy and Berlin Community Radio, as well as AQNB’s own Content Prole: A journey into the depths of the online gig economy collaboration with Matthew O’Shannessy.
A new project named after Kafka’s fiancée pays tribute to late-The Cranberries lead singer Dolores O’Riordan with a cover of ‘Dreams’
15 January 2019
felice bauer release a tribute to Dolores O’Riordan on the anniversary of her death with a cover of ‘Dreams’ today. Named after 20th century Czech novelist Franz Kafka’s fiancée, the newly-surfaced project was recording and producing the track when the late-The Cranberries lead singer passed away tragically last year, making its dizzy atmospherics and delicate keys all the more poignant.
The Irish alternative rock band was an unmistakable force in many parts of the world in the early 90s. ‘Dreams‘ was released on The Cranberries’ debut album Everybody Else Is Doing It, So Why Can’t We?, which included other hits like ‘Sunday’ and ‘Linger‘. Their Northern Ireland conflict protest song ‘Zombie‘ came a year later in 1994.
While the singing on ‘Dreams’ makes no attempt to replicate O’Riordan’s defiant Irish brogue or trademark nuanced yodel, some of the choral synth lines resemble those used in 1996 single ‘When You’re Gone‘, which was played on radio stations across the world on the day of the performer’s funeral. Together with artwork by Nora Berman and Daniel Swan, this rendition of ‘Dreams’ is a gentle eulogy to a powerful voice in music.**
Angel-Ho unveils her global neo-pop with the lead single from her upcoming ‘Death Becomes Her’ album, Mar 1
6 December 2018
Angel-Ho announces new album Death Becomes Her, released via London’s Hyperdub on March 1, with lead single ‘Like A Girl’ featuring Brooklyn-based emcee K Rizz.
The Capetown-based performer, producer and DJ released her Ascension EP via Halcyon Veil in 2015, followed by an EP and Red Devil album debut on the NON Worldwide label, which she co-founded with Nkisi and Chino Amobi.
Inspired by Lady Gaga, Missy Elliot, Bjork and Kanye West among others, Death Becomes Her features transatlantic collaborations with the likes of Nunu, Baby Caramel, Asmara Maroof of Nguzunguzu, Bon and Gaika.
Along with the exhibition — that also includes commissioned and site-specific works — there is a weekly series of after-hours events, called Friday Lates, where artists are encouraged to elaborate on and exchange ideas around their work with visitors in a more intimate setting.**
Nico Niquo shares the hyperreal landscapes of his askew New Age & ambient journeying into an antipodean jazz fusion on Timeless
14 September 2018
Nico Niquo (aka Nico Callaghan) is releasing album Timeless via Melbourne’s Daisart on September 26, with a preview of the title-track premiering via AQNB today. The Australian jazz aficionado presents the LP’s hypperreal sonic landscapes on the new label founded by ju ca, alongside a book called Snakes in the Grass exploring the evolution of and ultimate corporate intrusion on ambient music in a contemporary context.
Callaghan is joined by saxophonist and childhood friend Jared Becker in creating an impassioned homage to its influences that include Billy Strayhorn, Miles Davis, John Abercrombie and the ECM records. The track listing, with its titles like ‘Silent Feet’, ‘Lush Life’ and ‘(In My) Solitude’, are deeply contemplative sound pieces that swell with the minimal echoes of their internal monologues. ‘Timeless’ in particular draws saxophone, vocal patches, violins and guitar together under a canopy of elemental dub and synth sequences with a New Age touch.**