Bodily metaphors in the pleasure + care of technology for Faith Holland’s Speculative Fetish at Transfer Gallery 16 January 2018 photo
The Surplus in Being: On Sophie Friedman-Pappas’ post-consumer practice & the xenocology of her Transfer Station solo show at Alyssa Davis Victoria Campbell, 8 September 2021 features
Looking back to the Goddess with Morehshin Allahyari in She Who Sees The Unknown at Upfor Gallery, Jun 1 – 24 30 May 2017 news
What to look out for at Independent New York, NADA, The Armory Show this week, Mar 2 – 6 2 March 2017 news
“The end holds the beginning.” Reading the cycles of space & time through the words of Jessie Bullivant’s A Bad Sign 5 April 2022 focus
Participatory rituals & resurrections in the tricky aftermath of pandemic for Sparkly Berman’s Miracle Zone show at Los Angeles’ Le Maximum Darius Sabbaghzadeh, 24 June 2021 reviews
Invisible things: Making sense of Sophie Serber’s reality, where immunity & disgust, communication & connection collide in a refusal to be understood Steph Kretowicz, 1 September 2020 interviews
Rise of the nerd: Mary-Audrey Ramirez, LUKAS8K & Madalina Stanescu on gaming & the aesthetics of disappointment Steph Kretowicz, 14 January 2020 interviews
Chaos, computation & sex magick: looking at the enchanted technological present with Nottingham’s Chaos Magic project space 6 February 2019 focus
Making art that turns you on: chatting with Gray Wielebinski in the locker room of A Dog Pees On Things For More Than One Reason Madeleine Stack, 12 July 2018 interviews
The sinuous nature of desire + alternative ways of seeing with Paul Mpagi Sepuya’s photographic explorations of queer presence Mark Pieterson, 31 October 2017 features
“Make a fool of yourself, make yourself vulnerable”: A conversation with Laure Prouvost on softness + losing control HP, 11 April 2017 interviews
A spectacle of language: the referential movement + known unknowns of A.K. Burns’ Fault Lines Laura Brown, 8 April 2017 reviews
Virtual (inter-)Reality: How Manuel Rossner shines his UltraLight Beam through the ‘Dark Enlightenment’ Penny Rafferty, 16 January 2017 features