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Installation shot, David Ferrando Giraut. Photo by Original&theCopy. Courtesy of the artist and Tenderpixel, London.
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David Ferrando Giraut, 'The Sea and the Waves' (2015). Photo by Original&theCopy. Courtesy of the artist and Tenderpixel, London.
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David Ferrando Giraut, 'The Sea and the Waves' (2015). Photo by Original&theCopy. Courtesy of the artist and Tenderpixel, London.
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David Ferrando Giraut, 'Second Nature' (2014). Photo by Original&theCopy. Courtesy of the artist and Tenderpixel, London.
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Will Kendrick, 'Nothing but make-believe will ever feel quite real again' (2016). Photo by Original&theCopy. Courtesy of the artist and Tenderpixel, London.
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Will Kendrick, 'Nothing but make-believe will ever feel quite real again', (2016). Photo by Original&theCopy. Courtesy of the artist and Tenderpixel, London.
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Will Kendrick @ Feeling in the Eyes Installation view. Photo by Original&theCopy. Courtesy the artists, Laura Bartlett Gallery + Tenderpixel, London.
H
Nina Beier + Rustan Söderling @ Feeling in the Eyes Installation view. Photo by Original&theCopy. Courtesy the artists, Laura Bartlett Gallery + Tenderpixel, London.
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Nina Beier, 'The Demonstrators (3 Hanging receivers)' (2012). Install view. Photo by Original&theCopy. Courtesy the artist, Laura Bartlett Gallery + Tenderpixel, London.
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Rustan Söderling, 'Fire Gazing' (2016). Install view. Photo by Original&theCopy. Courtesy the artist + Tenderpixel, London.
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Rustan Söderling, 'Fire Gazing' (2016). Video still. Courtesy the artist + Tenderpixel, London.
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Rustan Söderling, 'Fire Gazing' (2016). Video still. Courtesy the artist + Tenderpixel, London.
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Seth Price, 'Feeling In The Eyes' (2002). Install view. Photo by Original&theCopy. Courtesy the artist, Petzel Gallery, NY, Isabella Bortolozzi Galerie, Berlin + Tenderpixel, London.
N
Seth Price, 'Feeling In The Eyes' (2002). Install view. Photo by Original&theCopy. Courtesy the artist, Petzel Gallery, NY, Isabella Bortolozzi Galerie, Berlin + Tenderpixel, London.
O
Seth Price, 'Feeling In The Eyes' (2002). Video still. Courtesy the artist, Petzel Gallery, New York + Isabella Bortolozzi Galerie, Berlin, London.
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Seth Price, 'Feeling In The Eyes' (2002). Video still. Courtesy the artist, Petzel Gallery, New York + Isabella Bortolozzi Galerie, Berlin.
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Seth Price, 'Feeling In The Eyes' (2002). Video still. Courtesy the artist, Petzel Gallery, New York + Isabella Bortolozzi Galerie, Berlin.
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Seth Price, 'Dispersion' (2002). Courtesy the artist, Petzel Gallery, NY and Isabella Bortolozzi Galerie, Berlin + Tenderpixel, London.

Feeling In The Eyes (2016) @ Tenderpixel exhibition photos

, 31 August 2016
Seth Price, 'Feeling In The Eyes' (2002). Install view. Photo by Original&theCopy. Courtesy the artist, Petzel Gallery, NY, Isabella Bortolozzi Galerie, Berlin + Tenderpixel, London.
Seth Price, ‘Feeling In The Eyes’ (2002). Install view. Photo by Original&theCopy. Courtesy the artist, Petzel Gallery, NY, Isabella Bortolozzi Galerie, Berlin + Tenderpixel, London.

The Feeling in The Eyes group exhibition at London’s Tenderpixel ran from February 5 until March 19, 2016, exploring the ever evolving notion of materiality in the context of our accelerated present, specifically through the post-internet condition.

The multi-media show spanning video, sound and sculpture, featured works by Nina Beier, David Ferrando Giraut, Will Kendrick, Seth Price and Rustan Söderling.

Departing from the idea of the Internet environment as a material which is fluid, plastic —a distributed, dislocated entity within multiple temporalities, the works in the exhibition explore the notion of materiality as something that is ever changing, endlessly reconfigured in this free flowing zone of re-negotiation. The impact of objects in these terms is not only sociological, but economical, political, existential, psychological, epistemological: it is total —beyond a label which is meant to mark a certain, already passed, historical-cultural moment.**

The Feeling in The Eyes group exhibition was on at London’s Tenderpixel, running February 5 to March 19, 2016.

Header image: Rustan Söderling, ‘Fire Gazing’ (2016). Video still. Courtesy of the artist and Tenderpixel, London.

Project your own obsessions inThe fiction of the fix at Tenderpixel, Jun 10

6 June 2017
Seth Price, 'Feeling In The Eyes' (2002). Install view. Photo by Original&theCopy. Courtesy the artist, Petzel Gallery, NY, Isabella Bortolozzi Galerie, Berlin + Tenderpixel, London.
Seth Price, ‘Feeling In The Eyes’ (2002). Install view. Photo by Original&theCopy. Courtesy the artist, Petzel Gallery, NY, Isabella Bortolozzi Galerie, Berlin + Tenderpixel, London.

The Feeling in The Eyes group exhibition at London’s Tenderpixel ran from February 5 until March 19, 2016, exploring the ever evolving notion of materiality in the context of our accelerated present, specifically through the post-internet condition.

The multi-media show spanning video, sound and sculpture, featured works by Nina Beier, David Ferrando Giraut, Will Kendrick, Seth Price and Rustan Söderling.

Departing from the idea of the Internet environment as a material which is fluid, plastic —a distributed, dislocated entity within multiple temporalities, the works in the exhibition explore the notion of materiality as something that is ever changing, endlessly reconfigured in this free flowing zone of re-negotiation. The impact of objects in these terms is not only sociological, but economical, political, existential, psychological, epistemological: it is total —beyond a label which is meant to mark a certain, already passed, historical-cultural moment.**

The Feeling in The Eyes group exhibition was on at London’s Tenderpixel, running February 5 to March 19, 2016.

Header image: Rustan Söderling, ‘Fire Gazing’ (2016). Video still. Courtesy of the artist and Tenderpixel, London.

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Rehana Zaman @ Tenderpixel, Nov 29 – Jan 28

28 November 2016
Seth Price, 'Feeling In The Eyes' (2002). Install view. Photo by Original&theCopy. Courtesy the artist, Petzel Gallery, NY, Isabella Bortolozzi Galerie, Berlin + Tenderpixel, London.
Seth Price, ‘Feeling In The Eyes’ (2002). Install view. Photo by Original&theCopy. Courtesy the artist, Petzel Gallery, NY, Isabella Bortolozzi Galerie, Berlin + Tenderpixel, London.

The Feeling in The Eyes group exhibition at London’s Tenderpixel ran from February 5 until March 19, 2016, exploring the ever evolving notion of materiality in the context of our accelerated present, specifically through the post-internet condition.

The multi-media show spanning video, sound and sculpture, featured works by Nina Beier, David Ferrando Giraut, Will Kendrick, Seth Price and Rustan Söderling.

Departing from the idea of the Internet environment as a material which is fluid, plastic —a distributed, dislocated entity within multiple temporalities, the works in the exhibition explore the notion of materiality as something that is ever changing, endlessly reconfigured in this free flowing zone of re-negotiation. The impact of objects in these terms is not only sociological, but economical, political, existential, psychological, epistemological: it is total —beyond a label which is meant to mark a certain, already passed, historical-cultural moment.**

The Feeling in The Eyes group exhibition was on at London’s Tenderpixel, running February 5 to March 19, 2016.

Header image: Rustan Söderling, ‘Fire Gazing’ (2016). Video still. Courtesy of the artist and Tenderpixel, London.

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