The exhibition compliments the launch of the London-based artist’s book, To Open What Is Shut () To Shut What Is Open, Part I: To Bring About Positive Change. Vegetable dyes and wine sediment will be utilized as “vivid decorations for the space while handmade magical incense, freshly baked wild wheat bread, and natural wines” are offered to visitors.
The publication is partly a recipe book of ‘potions’ and ‘tonics’ devised by the artist and partly an instruction manual. The work in the exhibition functions as a companion.
See the Tenderbooks website for more details.**
Hannah Lees, ‘Tablet Fragment I’ (2016). Installation view. Courtesy the artist.